Of self and self awareness: The basic neuronal circuit in human consciousness and the generation of self
Journal of Consciousness Studies 15 (9):64-74 (2008)
| Abstract | The fascination of Velasquez's painting Las Meninas stems largely from the ambiguous relationship between the painting as a whole, viewed by a single perceiver, and the variety of different perceptual viewpoints it invites. This situation resonates strongly with a central puzzle in the study of consciousness: the apparent unity of perceptual experience despite multiple sense modalities. Understanding more of this latter might help to explain the way we respond to the painting. | |||||||||
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P. Rochat (2003). Five Levels of Self-Awareness as They Unfold Early in Life. Consciousness and Cognition 12 (4):717-731.
Rocco Gennaro (2008). Representation of a Representation: Reflections on Las Meninas. Journal of Consciousness Studies 15 (9):47-50.
Rafael Malach & Zoran Josipovic (2006). Perception Without a Perceiver - in Conversation with Zoran Josipovic. Journal of Consciousness Studies 13 (9):57-66.
John Louis Schwenkler (2009). Space and Self-Awareness. Dissertation, University of California, Berkeley
Uriah Kriegel (2004). The Functional Role of Consciousness: A Phenomenological Approach. Phenomenology and the Cognitive Sciences 3 (2):171-93.
Amy Ione (2008). Las Meninas: Examining Velasquez's Enigmatic Painting. Journal of Consciousness Studies 15 (9):51-57.
Bernard Baars (2008). Velasquez and the Postmodern Circle of Mirrors. Journal of Consciousness Studies 15 (9):35-39.
Uziel Awret (2008). Las Meninas and the Search for Self-Representation. Journal of Consciousness Studies 15 (9):7-34.
Mario Vaneechoutte (2000). Experience, Awareness, and Consciousness: Suggestions for Definitions as Offered by an Evolutionary Approach. Foundations of Science 5 (4):429-456.
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