A Cohenian approach to musical expression
Journal of Aesthetics and Art Criticism 60 (2):182-185 (2002)
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V. A. Howard (1971). On Musical Expression. British Journal of Aesthetics 11 (3):268-280.
Andrew Kania (2008). Piece for the End of Time: In Defence of Musical Ontology. British Journal of Aesthetics 48 (1):65-79.
Vincent Bergeron & Dominic Mciver Lopes (2009). Hearing and Seeing Musical Expression. Philosophy and Phenomenological Research 78 (1):1-16.
Zohar Eitan (1993). Melodic Contour and Musical Style : A Quantitative Study. In M. G. Boroda (ed.), Fundamentals of Musical Language: An Interdisciplinary Approach. Universitätsverlag Dr. N. Brockmeyer.
Erich Sorantin (1932). The Problem of Musical Expression. Nashville, Tenn.,Marshall & Bruce Co..
John Hospers (1971). Artistic Expression. New York,Appleton-Century-Crofts.
David J. Elliott (2005). Musical Understanding, Musical Works, and Emotional Expression: Implications for Education. Educational Philosophy and Theory 37 (1):93–103.
Roger Scruton (2004). Wittgenstein and the Understanding of Music. British Journal of Aesthetics 44 (1):1-9.
Aaron Ridley (2007). Musical Expression. Expression in Music / Derek Matravers ; Explaining Musical Experience / Paul Boghossian ; Persona Sometimes Grata : On the Appreciation of Expressive Music. In Kathleen Stock (ed.), Philosophers on Music: Experience, Meaning, and Work. Oxford University Press.
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