Nobody needs a theory of art
Journal of Philosophy 105 (3):109-127 (2008)
| Abstract | The question "what is art?" is often said to be venerable and vexing. In fact, the following answer to the question should be obvious: (R) item x is a work of art if and only if x is a work in practice P and P is one of the arts. Yet (R) has appeared so far from obvious that nobody has given it a moment's thought. The trouble is not that anyone might seriously deny the truth of (R), but rather that they will find it uninformative. After all, the vexing question is pressed upon us by radical changes in art of the avant-garde, and (R) offers no resources to address these changes. With that in mind, here is the case for (R). The challenges posed by the avant-garde are real enough and they need to be addressed, but the vexing question is the wrong question to ask to address them. It does not follow that the question has no good answer. On the contrary, (R) is all the answer we need, if we do not need an answer that addresses the challenges posed by the avant-garde. Moreover, (R) points to a question that we do need answered. So, not only is it true but, in addition, (R) is as informative as we need. | |||||||||
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Maarten Doorman (2003). Art in Progress: A Philosophical Response to the End of the Avant-Garde. Amsterdam University Press.
Hallvard Lillehammer (2008). Values of Art and the Ethical Question. British Journal of Aesthetics 48 (4):376-394.
Bert Cardullo (2011). Art-House Cinema, Avant-Garde Film, and Dramatic Modernism. Journal of Aesthetic Education 45 (2):1-16.
Nigel Warburton (2003). The Art Question. Routledge.
Caroline Levine (2002). The Paradox of Public Art: Democratic Space, the Avant-Garde, and Richard Serra's "Tilted Arc". Philosophy and Geography 5 (1):51 – 68.
Andrew E. Benjamin (1991). Art, Mimesis, and the Avant-Garde: Aspects of a Philosophy of Difference. Routledge.
Daniel Alan Herwitz (1993). Making Theory/Constructing Art: On the Authority of the Avant-Garde. University of Chicago Press.
Krzysztof Ziarek (2004). The Force of Art. Stanford University Press.
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