David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
Learn more about PhilPapers
Philosophical Psychology 12 (4):415 – 428 (1999)
The representation of color by pictures raises worthwhile questions for philosophers and psychologists. Moreover, philosophers and psychologists interested in answering these questions will benefit by paying attention to each other's work. Failure to recognize the potential for interdisciplinary cooperation can be attributed to tacit acceptance of the resemblance theory of pictorial color. I argue that this theory is inadequate, so philosophers of art have work to do devising an alternative. At the same time, if the resemblance theory is false, then color depiction has interesting implications for color science. Empirical researchers must rethink the widespread assumption that color recognition requires color constancy. I suggest that a neuropsychological account of color recognition will be instrumental to completing the philosophical task, but by the same token scientists might do well not to proceed without casting an eye to the work of philosophers of art.
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
Robert Hopkins (1998). Picture, Image and Experience: A Philosophical Inquiry. Cambridge University Press.
Dominic Lopes (1996). Understanding Pictures. Oxford University Press.
Richard Wollheim (1989). Painting as an Art. Journal of Aesthetics and Art Criticism 47 (3):281-284.
Christopher Peacocke (1987). Depiction. Philosophical Review 96 (3):383-410.
Adam Morton (1987). Colour Appearances and the Colour Solid. In Philosophy and the Visual Arts. Dordrecht: Kluwer
Citations of this work BETA
Dustin Stokes (2009). Aesthetics and Cognitive Science. Philosophy Compass 4 (5):715-733.
Michael Newall (2006). Pictures, Colour and Resemblance. Philosophical Quarterly 56 (225):587–595.
Similar books and articles
Rainer Mausfeld (2010). Color Within an Internalist Framework : The Role of Color in the Structure of the Perceptual System. In Jonathan D. Cohen & Mohan Matthen (eds.), Color Ontology and Color Science. MIT Press
Wayne Wright (2010). Perception, Color, and Realism. Erkenntnis 73 (1):19 - 40.
David R. Hilbert & Alex Byrne (2010). How Do Things Look to the Color-Blind? In Jonathan Cohen & Mohan Matthen (eds.), Color Ontology and Color Science. MIT Press 259.
Mohan P. Matthen (1999). The Disunity of Color. Philosophical Review 108 (1):47-84.
Jonathan Cohen (2001). Two Recent Anthologies on Color. Philosophical Psychology 14 (1):118-122.
Jonathan Cohen (2003). Color: A Functionalist Proposal. Philosophical Studies 113 (1):1-42.
Mohan Matthen (2010). Color Experience: A Semantic Theory. In Jonathan Cohen & Mohan Matthen (eds.), Color Ontology and Color Science. MIT Press 67--90.
Steven Davis (ed.) (2000). Color Perception: Philosophical, Psychological, Artistic, and Computational Perspectives. New York: Oxford University Press.
Added to index2009-01-28
Total downloads61 ( #67,956 of 1,792,140 )
Recent downloads (6 months)1 ( #464,595 of 1,792,140 )
How can I increase my downloads?