David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
Mind 112 (447):434--48 (2003)
When we look at photographs we literally see the objects that they are of. But seeing photographs as photographs engages aesthetic interests that are not engaged by seeing the objects that they are of. These claims appear incompatible. Sceptics about photography as an art form have endorsed the first claim in order to show that there is no photographic aesthetic. Proponents of photography as an art form have insisted that seeing things in photographs is quite unlike seeing things face-to-face. This paper argues that the claims are compatible. While seeing things in photographs is quite unlike seeing things face-to-face, nevertheless seeing things in photographs is one way of seeing things. The differences between seeing things by means of photographs and by means of the naked eye provide the elements of an account of the aesthetic interests photographs engage.
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
Diarmuid Costello & Dawn M. Phillips (2009). Automatism, Causality and Realism: Foundational Problems in the Philosophy of Photography. Philosophy Compass 4 (1):1-21.
Similar books and articles
Jiri Benovsky (2011). What Photographs Are (and What They Are Not). Disputatio 4 (31):239 - 254.
Bence Nanay (2010). Transparency and Sensorimotor Contingencies: Do We See Through Photographs? Pacific Philosophical Quarterly 91 (4):463-480.
Jonathan Cohen & Aaron Meskin (2004). On the Epistemic Value of Photographs. Journal of Aesthetics and Art Criticism 62 (2):197–210.
Dawn M. Phillips (2009). Photography and Causation: Responding to Scruton's Scepticism. British Journal of Aesthetics 49 (4):327-340.
Mikael Pettersson (2011). Depictive Traces: On the Phenomenology of Photography. Journal of Aesthetics and Art Criticism 69 (2):185-196.
Catharine Abell (2010). The Epistemic Value of Photographs. In Catharine Abell & Katerina Bantinaki (eds.), Philosophical Perspectives on Depiction. Oxford University Press.
Jiri Benovsky (2011). Three Kinds of Realism About Photographs. Journal of Speculative Philosophy 25 (4):375-395.
Aaron Meskin & Jonathan Cohen (2008). Photographs as Evidence. In Scott Walden (ed.), Photography and Philosophy: Essays on the Pencil of Nature. Blackwell.
Added to index2009-01-28
Total downloads126 ( #7,215 of 1,101,622 )
Recent downloads (6 months)5 ( #59,635 of 1,101,622 )
How can I increase my downloads?