Music, Tendencies, and Inhibitions: Reflections on a Theory of Leonard Meyer
Scarecrow Press (2001)
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|Keywords||Music Philosophy and aesthetics|
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|Call number||ML3800.L79 2001|
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Leonard B. Meyer (1957). Meaning in Music and Information Theory. Journal of Aesthetics and Art Criticism 15 (4):412-424.
Leonard B. Meyer (1956). Emotion and Meaning in Music. [Chicago]University of Chicago Press.
Leonard B. Meyer (1967). Music, the Arts, and Ideas. Chicago, University of Chicago Press.
Jenefer Robinson (ed.) (1997). Music & Meaning. Cornell University Press.
Kathi Meyer-Baer (1970/1984). Music of the Spheres and the Dance of Death: Studies in Musical Iconology. Da Capo Press.
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Carolyn Beckingham (2009). Moribund Music: Can Classical Music Be Saved? Sussex Academic Press.
Iannis Xenakis (1971). Formalized Music. Bloomington,Indiana University Press.
Anthony Gritten (2003). Music, Tendencies, and Inhibitions: Reflections on a Theory of Leonard Meyer. British Journal of Aesthetics 43 (2):194-196.
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