Online research in philosophy

The plane of the present is a concept that is useful for discussing the various paradigms of time. Here by ‘plane of the present’ we mean the temporal interface that represents the present instant and that forms the boundary between the past and the future. We use the geometrical term ‘plane’ to indicate an extended surface in the space-time continuum, as opposed to a ‘point’ on some time axis. This point/plane dichotomy is intended to raise issues of extension and simultaneity and to examine the degree to which these are meaningful concepts from various physical viewpoints. We will show by example in the present work that the plane of the present is a pivotal concept that offers considerable power in differentiating between various views of the nature of time. The concept of time within the main stream of physics thinking has followed a rather convoluted path over the past three millennia. Anticipating the modern motion picture, Zeno of Elea (c.490-c.430 B.C) questioned whether time should appropriately be viewed as a continuously flowing river, or should more properly be considered as a rapid sequence of stop-motion ‘freeze-frames’, in effect rendering geometrical each instant as a separate infinitesimal point on the line of time. Adopting this view, he asked how physical motion could occur. He argued paradoxically that motion is not possible, since it appears to happen only between the frozen frames of time instants.1 From the viewpoint of Zeno, the plane of the present would be simply the last and most recent in this sequence of freeze-frames. It would be that frozen instant, spanning the universe, which changes progressively as the instant we call ‘now’ becomes the frozen past and future possibility freezes into the ‘now’ of present reality. We note that the plane of the present as a concept does not resolve the arrow paradox that Zeno raised. It only provides a way of thinking about it.

Space and time are the most fundamental features of our experience of the world, and yet they are also the most perplexing. Does time really flow, or is that simply an illusion? Did time have a beginning? What does it mean to say that time has a direction? Does space have boundaries, or is it infinite? Is change really possible? Could space and time exist in the absence of any objects or events? What, in the end, are space and time? Do they really exist, or are they simply the constructions of our minds? Robin Le Poidevin provides a clear, witty, and stimulating introduction to these deep questions and many other mind-boggling puzzles and paradoxes. He gives a vivid sense of the difficulties raised by our ordinary ideas about space and time, but he also gives us the basis to think about these problems independently, avoiding large amounts of jargon and technicality. His book is an invitation to think philosophically rather than a sustained argument for particular conclusions, but Le Poidevin does advance and defend a number of controversial views. He argues, for example, that time does not actually flow, that it is possible for space and time to be both finite and yet be without boundaries, and that causation is the key to an understanding of one of the deepest mysteries of time: its direction. Drawing on a variety of vivid examples from science, history, and literature, Travels in Four Dimensions brings to life some of the most profound questions imaginable.

Isaac Newton founded classical mechanics on the view that space is something distinct from body and that time is something that passes uniformly without regard to whatever happens in the world. For this reason he spoke of absolute space and absolute time, so as to distinguish these entities from the various ways by which we measure them (which he called relative spaces and relative times). From antiquity into the eighteenth century, contrary views which denied that space and time are real entities maintained that the world is necessarily a material plenum. Concerning space, they held that the idea of empty space is a conceptual impossibility. Space is nothing but an abstraction we use to compare different arrangements of the bodies constituting the plenum. Concerning time, they insisted, there can be no lapse of time without change occurring somewhere. Time is merely a measure of the cycles of change within the world.

The purpose of this paper is twofold: a) to explore the compatibility of Minkowski’s space-time representation of the Special theory of relativity with a dynamic conception of space-time; b) to locate its roots in invariant features - like entropic relations - of the propagation of signals in space-time. From its very beginning Minkowski’s four-dimensional space-time was associated with a static view of reality, e.g. a block universe. Einstein added his influential voice to this conception when he wrote: ‘From a “happening” in three-dimensional space, physics becomes (…) an “existence” in the four-dimensional “world”.’ (Einstein, Relativity 1920, 122) Yet it is by no means clear that Minkowski himself was a believer in the block universe. In his 1908 Cologne lecture on ‘Space and Time’ he speaks of a four-dimensional physics but concedes that a ‘necessary’ time order can be established at every world point. Although the conception of the block universe has gained much currency, an alternative view has been in circulation since the 1910s according to which the trajectories of particles constitute histories in space-time. (Robb 1914, Cunningham 1915, Carathéodorys 1924, Schlick 1917, Reichenbach 1924).

Zeno of Elea's motion and infinity paradoxes, excluding the Stadium, are stated (1), commented on (2), and their historical proposed solutions then discussed (3). Their correct solution, based on recent conclusions in physics associated with time and classical and quantum mechanics, and in particular, of there being a necessary trade off of all precisely determined physical values at a time (including relative position), for their continuity through time, is then explained (4). This article follows on from another, more physics orientated and widely encompassing paper entitled "Time and Classical and Quantum Mechanics: Indeterminacy vs. Discontinuity" (Lynds, 2003), with its intention being to detail the correct solution to Zeno's paradoxes more fully by presently focusing on them alone. If any difficulties are encountered in understanding any aspects of the physics underpinning the following contents, it is suggested that readers refer to the original paper for a more in depth coverage.

Zeno's paradoxes of motion have been puzzling human's understanding of nature for twenty-five centuries. While the assumption of continuous space-time has been overwhelmingly believed, modern physic findings suggest the possibility of the other case. The ultimate truth still remains an unsolved mystery. This paper presents a proof that space-time is discrete by resolving the discreteness-based paradoxes of Zeno, in particular the Stadium, with the help of the Special Relativity Theory. The key work is the proof that the only speed at which motions on the Zeno's Stadium can be is the speed of light. Lorentz transformation then provides sufficient information to resolve the paradox.

Introduction -- Fatalism, free will, and foreknowledge -- Mind, the metric, and conventionality -- Time travel and backward causation -- Time's origin, and relationism vs. substantivalism -- McTaggart, tensed facts, and time's flow -- Presentism, the block universe, and perduring objects -- The arrow of time -- Zeno's paradoxes and supertasks.

Here I develop the idea, which I have presented elsewhere, that time instants are abstract entities existing tenselessly and therefore that events and changes likewise may be said to exist tenselessly in virtue of their place at a certain space-time point.

This paper will argue that the puzzles about instantaneous velocity, and rates of change more generally, are the result of a failure to recognize an ambiguity in the concept of an instant, and therefore of an instantaneous state. We will conclude that there are two distinct conceptions of a temporal instant: (i) instants conceived as fundamentally distinct zero-duration temporal atoms and (ii) instants conceived as the boundary of, or between,temporally extended durations. Since the concept of classical instantaneous velocity is well- defined only on the second conception of instants, we will conclude that this distinction allows us to avoid the above dilemma. If instantaneous velocity is well-defined then the states of a system at various instants are not logically distinct and thus we cannot generate Zeno’s paradox. However, if we assume that the instants are metaphysically distinct, then instantaneous velocity is not well-defined and thus the second horn of the dilemma about the causal-explanatory role of instantaneous velocity cannot be generated.

In this essay, I first set out the principles of change, paying particular attention to the need for a support for all changes and to the need for prime matter. I then discuss the nature of time, arguing that time is not actually composed of durationless instants but that instants can be understood as limits to an infinite process of potential division. I then give a definition of instants in terms of intervals and propose a way of modeling them. In the next section I bring together the two previous sections by explaining change as an instantaneous process that does not involve actual instants. In the final section I draw out a larger metaphysical moral that emphasizes the role of potentiality and sees the potentiality in change and the potentiality in time as but different aspects of the same radical potentiality in nature.