Binding the Beautiful: Art as Criticism in Adorno and Dewey
Journal of Speculative Philosophy 12 (4):233 - 244 (1998)
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Camilla Flodin (2011). Of Mice and Men: Adorno on Art and the Suffering of Animals. Estetika 48 (2):139-156.
Scott R. Stroud (2007). Dewey on Art as Evocative Communication. Education and Culture 23 (2):pp. 6-26.
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César Graña (1962). John Dewey's Social Art and the Sociology of Art. Journal of Aesthetics and Art Criticism 20 (4):405-412.
Scott R. Stroud (2011). John Dewey and the Question of Artful Criticism. Philosophy and Rhetoric 44 (1):27-51.
Paul Mattick Jr (1990). Beautiful and Sublime: Gender Totemism in the Constitution of Art. Journal of Aesthetics and Art Criticism 48 (4):293-303.
Casey Haskins (2001). Art, Morality, and the Holocaust: The Aesthetic Riddle of Benigni's Life is Beautiful. Journal of Aesthetics and Art Criticism 59 (4):373–384.
Donald B. Kuspit (1975). Critical Notes on Adorno's Sociology of Music and Art. Journal of Aesthetics and Art Criticism 33 (3):321-327.
Roger Seamon (1997). From the World is Beautiful to the Family of Man: The Plight of Photography as a Modern Art. Journal of Aesthetics and Art Criticism 55 (3):245-252.
Lambert Zuidervaart (1990). The Social Significance of Autonomous Art: Adorno and Bürger. Journal of Aesthetics and Art Criticism 48 (1):61-77.
James M. Harding (1992). Historical Dialectics and the Autonomy of Art in Adorno's Ästhetische Theorie. Journal of Aesthetics and Art Criticism 50 (3):183-195.
Donald B. Kuspit (1968). Dewey's Critique of Art for Art's Sake. Journal of Aesthetics and Art Criticism 27 (1):93-98.
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