David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jonathan Jenkins Ichikawa
Jack Alan Reynolds
Learn more about PhilPapers
The thesis examines the nature of the "real" in the cinema; I overview the theories that are historically used, and offer some alternative models. First, I survey how the "real" has been traditionally theorized in film theory. The realist/anti-realist debate is addressed; the psycholinguistic theory of Jacques Lacan and Jean Baudrillard's postmodern model of the hyperreal are reexamined in light of their profound effect on film theory's model of the cinematic "real." I argue against these theories as models of spectatorship and the "real" because of their hermetic nature
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library||
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Gregory Currie (1995). Image and Mind: Film, Philosophy and Cognitive Science. Cambridge University Press.
Allan Casebier (1991). Film and Phenomenology: Toward a Realist Theory of Cinematic Representation. Cambridge University Press.
Martin Seel (2008). Realism and Anti-Realism in Film Theory. Critical Horizons 9 (2):157-175.
Reid Perkins-Buzo (2007). Real Film. Semiotics:142-158.
John Mullarkey (2012). The Tragedy of the Object. Angelaki 17 (4):39 - 59.
Torben Grodal (1999). Moving Pictures: A New Theory of Film Genres, Feelings, and Cognition. Clarendon Press.
Władysław Krajewski (1997). Ideal Objects as Models in Science. International Studies in the Philosophy of Science 11 (2):185-190.
Alison Niemi (2003). Film as Religious Experience: Myths and Models in Mass Entertainment. Critical Review 15 (3-4):435-446.
Matthew Flisfeder (2012). The Symbolic, the Sublime, and Slavoj Žižek's Theory of Film. Palgrave Macmillan.
Richard Rushton (2011). A Deleuzian Imaginary: The Films of Jean Renoir. Deleuze Studies 5 (2):241-260.
Dudley Andrew (1984). Concepts in Film Theory. Oxford University Press.
Tom Eyers (2012). Lacan and the Concept of the 'Real'. Palgrave Macmillan.
Added to index2011-01-07
Total downloads3 ( #675,064 of 1,932,453 )
Recent downloads (6 months)1 ( #456,120 of 1,932,453 )
How can I increase my downloads?