The Science of Music
Oxford University Press (1997)
| Abstract | What do Pythagoras, Plato, Newton, and Wittgenstein have in common with Jack and the Beanstalk, David and Goliath, the Hare and the Tortoise, and Formula 1 auto racing? Hearing is the clue, and musical science the answer. In his revolutionary sequel to The Concept of Music (OUP, 1990), Robin Maconie uncovers the hidden role of musical acoustics in the formulation of key concepts of science and philosophy from ancient Greece to modern times. | |||||||||
| Keywords | Music Philosophy and aesthetics Music Acoustics and physics Music and science | |||||||||
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| Buy the book | $42.00 new (24% off) $52.25 direct from Amazon (5% off) Amazon page | |||||||||
| Call number | ML3800.M237 1997 | |||||||||
| ISBN(s) | 0198166486 9780198166481 | |||||||||
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Lydia Goehr (1998/2002). The Quest for Voice: On Music, Politics, and the Limits of Philosophy: The 1997 Ernest Bloch Lectures. Oxford University Press.
Kathleen Marie Higgins (2012). The Music Between Us: Is Music a Universal Language? The University of Chicago Press.
Nora M. Alter & Lutz P. Koepnick (eds.) (2004). Sound Matters: Essays on the Acoustics of Modern German Culture. Berghahn Books.
Carolyn Beckingham (2009). Moribund Music: Can Classical Music Be Saved? Sussex Academic Press.
Jenefer Robinson (ed.) (1997). Music & Meaning. Cornell University Press.
John Redfield (1935). Music: A Science and an Art. New York, Tudor Publishing Co..
Robin Maconie (1990). The Concept of Music. Oxford University Press.
Robin Maconie (2002). The Second Sense: Language, Music, & Hearing. Scarecrow Press.
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