Getting Emotional Over Contours: Response to Seeley

Essays in Philosophy 13 (2):518-521 (2012)
Abstract
Bill Seeley suggests that what follows from research into crossmodal perception for expression and emotion in the arts is that there is an emotional contour (i.e., a contour constitutive of the content of an emotion and potentially realizable across a range of media). As a response of sorts, I speculate as to what this might hold for philosophical and empirical enquiry into expression and emotion across the arts as well as into the nature of the emotions themselves.
Keywords Crossmodal Perception  Emotion  Expression
Categories (categorize this paper)
Options
 Save to my reading list
Follow the author(s)
My bibliography
Export citation
Find it on Scholar
Edit this record
Mark as duplicate
Revision history Request removal from index
 
Download options
PhilPapers Archive


Upload a copy of this paper     Check publisher's policy on self-archival     Papers currently archived: 9,360
External links
  •   Try with proxy.
  •   Try with proxy.
  •   Try with proxy.
  • Through your library Configure
    References found in this work BETA

    No references found.

    Citations of this work BETA

    No citations found.

    Similar books and articles
    Mikko Salmela (2006). True Emotions. Philosophical Quarterly 56 (224):382-405.
    Tom Cochrane (2008). Expression and Extended Cognition. Journal of Aesthetics and Art Criticism 66 (4):59-73.
    Analytics

    Monthly downloads

    Added to index

    2012-08-02

    Total downloads

    7 ( #149,815 of 1,089,053 )

    Recent downloads (6 months)

    1 ( #69,801 of 1,089,053 )

    How can I increase my downloads?

    My notes
    Sign in to use this feature


    Discussion
    Start a new thread
    Order:
    There  are no threads in this forum
    Nothing in this forum yet.