Philosophy's neglect of the arts
Philosophy 80 (3):413-422 (2005)
| Abstract | It is widely agreed that the arts can give us some of the most valuable and profound experiences of which we are capable, yet the conceptions of experience to which epistemology has addressed itself during its long history have usually omitted experience of the arts. This has had harmful consequences, because it has led to theories of experience being accepted which would have been falsified by a consideration of experience of the arts. The error still occurs, and there are important current examples of it: for instance, some widely held theories about the relationship between thought and language do not survive attempts to apply them to the thought-processes involved in composing a double fugue. (Published Online October 13 2005). | |||||||||
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Herman P. Kauz (1992). A Path to Liberation: A Spiritual and Philosophical Approach to the Martial Arts. Overlook Press.
Peter Kivy (1997). Philosophies of Arts: An Essay in Differences. Cambridge University Press.
Juha Varto (2009). Basics of Artistic Research: Ontological, Epistemological and Historical Justifications. University of Art and Design Helsinki.
Caroline van Eck, James McAllister & Renée van de Vall (eds.) (1995). The Question of Style in Philosophy and the Arts. Cambridge University Press.
James I. Porter (2009). Is Art Modern? Kristeller's ‘Modern System of the Arts’ Reconsidered. British Journal of Aesthetics 49 (1):1-24.
Christopher Janaway (1995). Images of Excellence: Plato's Critique of the Arts. Oxford University Press.
Philip Alperson (ed.) (1992). The Philosophy of the Visual Arts. Oxford University Press.
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