Analog and digital, continuous and discrete

Philosophical Studies 155 (1):117-131 (2011)
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Abstract

Representation is central to contemporary theorizing about the mind/brain. But the nature of representation--both in the mind/brain and more generally--is a source of ongoing controversy. One way of categorizing representational types is to distinguish between the analog and the digital: the received view is that analog representations vary smoothly, while digital representations vary in a step-wise manner. I argue that this characterization is inadequate to account for the ways in which representation is used in cognitive science; in its place, I suggest an alternative taxonomy. I will defend and extend David Lewis's account of analog and digital representation, distinguishing analog from continuous representation, as well as digital from discrete representation. I will argue that the distinctions available in this four-fold account accord with representational features of theoretical interest in cognitive science more usefully than the received analog/digital dichotomy.

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Corey Maley
Purdue University

References found in this work

Languages of Art.Nelson Goodman - 1970 - Philosophy and Rhetoric 3 (1):62-63.
Computing mechanisms.Gualtiero Piccinini - 2007 - Philosophy of Science 74 (4):501-526.
Analog and digital.David K. Lewis - 1971 - Noûs 5 (3):321-327.

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