Autonomy and Anti-Art: Adorno's Concept of Avant-Garde Art
Constellations 7 (2):197-207 (2000)
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Gerald Keaney (2011). A New Avant-Garde? Rethinking Marxism 23 (4):556-564.
Daniel Alan Herwitz (1993). Making Theory/Constructing Art: On the Authority of the Avant-Garde. University of Chicago Press.
Andrew E. Benjamin (1991). Art, Mimesis, and the Avant-Garde: Aspects of a Philosophy of Difference. Routledge.
Krzysztof Ziarek (2004). The Force of Art. Stanford University Press.
Maarten Doorman (2003). Art in Progress: A Philosophical Response to the End of the Avant-Garde. Amsterdam University Press.
Caroline Levine (2002). The Paradox of Public Art: Democratic Space, the Avant-Garde, and Richard Serra's "Tilted Arc". Philosophy and Geography 5 (1):51 – 68.
Mark Antliff (2007). Avant-Garde Fascism: The Mobilization of Myth, Art, and Culture in France, 1909-1939. Duke University Press.
Bert Cardullo (2011). Art-House Cinema, Avant-Garde Film, and Dramatic Modernism. Journal of Aesthetic Education 45 (2):1-16.
Dominic McIver Lopes (2008). Nobody Needs a Theory of Art. Journal of Philosophy 105 (3):109-127.
M. W. Skees (2011). Kant, Adorno and the Work of Art. Philosophy and Social Criticism 37 (8):915-933.
Christy Mag Uidhir & P. D. Magnus (2011). Art Concept Pluralism. Metaphilosophy 42 (1-2):83-97.
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