Abstract

“Herr Phister as Captain Scipio” is a succinct and concentrated study by Kierkegaard on the art of acting. In spite of its brevity and by virtue of its conceptual parsimony, the work deserves closer attention, if only because it also exhibits some of the pesky problems involved in the practice of interpreting oneself. I argue that “Herr Phister as Captain Scipio” forms part of the habitual context of Kierkegaard’s thought about selfhood. To be more specific, I attempt to show not only that this essay (attributed to the pseudonym Procul) is about the theory of the three stages of existence but also that the aesthetic is represented by Scipio, the ethical by Phister, and the religious by Procul himself.