Online research in philosophy

Kierkegaard and Philosophy makes many of the most important papers on Kierkegaard available in one place for the first time. These seventeen essays, written over a period of over twenty years, have all been substantially revised or specially prepared for this collection, with a new introduction by the author. In the first part, Alastair Hannay concentrates on Kierkegaard's central philosophical writings, offering closely text-based accounts of the slient concepts Kierkegaard uses. The second part shows the relevance of other thinkers' treatments of shared themes, pointing our where they differ from Kierkegaard. The concluding chapter provides a reason Kierkegaard himself would give for disagreeing with those who claim his texts are infinitely interpretable. Written by the world's foremost Kierkegaard scholar and translator, Kierkegaard and Philosophy is an indispensible resource for all students of Kierkegaard's work.

Several commentators on Kierkegaard and Heidegger have noted the similarity between Heidegger's account of authentic temporality in Being and Time and Kierkegaard's discussion of time in The Concept of Dread. By drawing attention to a not very well known essay of Kierkegaard's, ?The Decisiveness of Death?, I attempt to show that there is a very close connection between Heidegger's and Kierkegaard's entire views on authentic human existence. In the second part I try to locate in The Present Age, not just the equivalent of das Man in Heidegger as numerous commentators have done, but the presence of the entire temporal structure of inauthenticity with equivalents for each of the ?fallen? modes of inauthentic being described by Heidegger in Being and Time. The result is that the previous attempts by commentators to restrict early Heidegger's originality vis?à?vis Kierkegaard begin to look like masterpieces of understatement. In the process of reaching this conclusion I try to shed light on several often misunderstood aspects of Kierkegaard's thought.

By way of an interaction with Kierkegaard’s Point of View, this paper attempts to show the extent to which Kierkegaard’s Repetition was a poetic repetition of his own life. By comparing several of his published texts with journal entries and letters to friends, this paper traces the extent and degree of Kierkegaard’s poetic reflection and corresponding lack of existential immediacy. At its most extreme, this paper argues that Kierkegaard did not really exist in the typical sense of the term; or, more precisely, that he only existed as a poetic repetition, an apotheosized ideal. Kierkegaard lived only insofar as he wrote himself into poetry.

Throughout his authorship, Kierkegaard appears remarkably uninterested in the tradition of Christian mysticism. Indeed, in the only two places in the authorship where he broaches the topic directly, the discussion is disclaimed in such a way as to suggest that Kierkegaard really has nothing to say about it at all. However, attending to the successive incarnations of the character(s) named “Ludvig” throughout the authorship – an appellation that harbors an especially self-referential dimension for Kierkegaard – the present paper attempts to elucidate what may, with due reservation, be referred to as the mystical element in Kierkegaard’s thought. The ultimate yield of this endeavor is a vision of “mysticism” that is more act than thought oriented, and a vision of the author “Kierkegaard” that is more delightful than melancholy.

The question Wings of Desire (Wim Wenders, 1987) forces us to answer is whether we too would be willing to renounce immortality? Or, to put it conversely, would we be wise to exchange our current mortal existence for immortality? If a state of senseless, inefficacious existence is undesirable, the question of the value of immortality becomes one of the conceivably of an alternative to the angels' form of existence. By contemplating the existence of the angels in Wings of Desire, we can see that they do not simply exemplify one possible eternal existence, but that the negative aspects of their being are perhaps essential features of the immortal. I begin by exploring another argument for the undesirableness of immortality that has taken center stage in the debate, then turn my attention to the film and present a novel argument against the value of immortality.

From Clouds to Corsair: Kierkegaard, Aristophanes, and Socrates -- The pure fool and the knight of faith: Wolfram's Parzival and the stages of existence -- From romantic aesthete to Christian analogue: Don Quixote's sallies in Kierkegaard's authorship -- Saying not quite "everything just as it is": Shakespeare on life's way -- "Sorrow's changeling": irony, humor, and laughter in Kierkegaard and Carlyle.

This book studies the use of biblical quotations in Kierkegaard’s pseudonymous works, as well as Kierkegaard’s hermeneutical methods in general. Kierkegaard’s mode of writing in these works—indeed, the very method of indirect communication—consists in a certain appropriation of the Bible. Kierkegaard thus becomes God’s “plagiarist,” repeating the Bible by reinscribing it into his own texts, where it becomes a part of his philosophical discourse and relates to most of his conceptual constructions.The Bible might also be called a gift, but a gift that does not belong to Kierkegaard, one he merely passes along to his reader. The invisible omnipresence of God’s Word in the pseudonymous works, as opposed to the signed ones, forces us to revisit the entire distinction between the religious and the aesthetic.

On Harrison Hall's reading, Kierkegaard uses the terms translated ?eternal happiness? and ?salvation? to refer to a quality of this?worldly life. As I understand him, the author denies that Kierkegaard believed in an afterlife. While acknowledging the vein of meanings that ?Love and Death . . .? point to, I argue that Kierkegaard did in fact look forward to an eternal life in the traditional, Biblical, and so?called common sense of the term. In connection with his views on the question of salvation, Hall holds, and I take issue, that for Kierkegaard Christianity has a minimal objective content.

Introduction -- John Locke and the problem of personal identity : the principium individuationis, personal immortality, and bodily resurrection -- On separation and immortality : Descartes and the nature of the soul -- On materialism and immortality or Hobbes' rejection of the natural argument for the immortality of the soul -- Henry More and John Locke on the dangers of materialism : immateriality, immortality, immorality, and identity -- Robert Boyle : on seeds, cannibalism, and the resurrection of the body -- Locke's theory of personal identity in its context : a reassessment of classic objections.

Many religious thinkers hold the immortality requirement, the view that immortality of some kind is necessary for life to have meaning. After clarifying the nature of the immortality requirement, this essay examines three central arguments for it. The article establishes that existing versions of these arguments fail to entail the immortality requirement. The essay then reconstructs the arguments, and it shows that once they do plausibly support the immortality requirement, they equally support the God-centred requirement, the view that God's existence is a necessary condition for life to be meaningful. The paper concludes by explaining why we should expect any argument for the immortality requirement also to constitute an argument for the God-centred requirement.