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- Gabriel Marcel (1956). The Influence of Psychic Phenomena on My Philosophy. London, Society for Psychical Reserach.
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By the late nineteenth century, science was well established in the public mind as the primary method by which useful knowledge of the material universe is obtained. Surely, it was thought, if science can discover cathode rays and radio waves, then it should easily authenticate a phenomenon that is far more widely experienced: the supernatural power of the human mind. Non-physical, “psychic” energy appeared to be everywhere, as an integral part of human experience. Indeed, psychic forces are seemingly built into the cores, the souls, of each of us. It should be just a matter of securing the evidence with the hard cement of scientific procedure. At least this was the view of many Victorian scientists, and so was begun a program to verify psychic phenomena scientifically, a task that has continued without success until the current day. By the time the fourth decade of the twentieth century was underway, the search for psychic energy had stalled. The huge database of anecdotal human testimony proved too unreliable, too easy to explain away as subjective desire, fakery, or delusion. Whenever serious attempts were made to gather objective data under controlled conditions, plausible explanations such as trickery or simple coincidence were readily found--if not by the investigators, then by their critics. Although these plausibilities were not always conclusively proven, they were never conclusively ruled out. And, as long as ordinary explanations for reports of suggested psychic phenomena..
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According to Brentano, logic, ethics and aesthetics are practical normative sciences, and they correspond to the three classes of psychic phenomena. But if a judgment or a love may be correct or incorrect, it seems more difficult to speak of a correct representation as this class of phenomena ignores a polarity such as right / wrong or good / bad. Brentano speaks nevertheless from the aesthetical “value” of representations. Aesthetics could in this way be considered as part of a general theory of value; but compared to ethics the specificity of this science tends to vanish. Another way to consider the question is to remember that the distinction among the three classes of psychic phenomena is only formal. It means that one has to question more precisely the very nature of representation and especially its relation to feeling.
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Reports of psychic phenomena are as old as human history. Experimental tests of psychic phenomena are almost as old. According to Herodotus, the ancient Greek historian, King Croesus of Lydia dispatched several of his men to test seven oracles to see if any of them could divine what he, the king, was doing on the day of the test. Only Pythia, priestess of Apollo at Delphi, was able to divine correctly that the king was making a lamb and tortoise stew in a bronze kettle.
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This work was the first sustained philosophical study of psychic phenomena to follow C.D. Broad's LECTURES ON PSYCHICAL RESEARCH, written nearly twenty years ...
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Why do so many people believe in psychic phenomena? Because they have psychic experiences. And why do they have psychic experiences? Because such experiences are an inevitable consequence of the way we think. I suggest that, like visual illusions, they are the price we pay for a generally very effective relationship with a massively complex world.
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