David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
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Mind and Society 7 (2):143-156 (2008)
The goal of the paper is to analyse some specific features of a very central concept for top-level ontologies for information systems: i.e. the concept of artefact. Specifically, we analyse the relation to be a copy of that is strongly linked to the notion of artefact and—as we will demonstrate—could be useful to distinguish artefacts from objects of other kinds. Firstly, we outline some intuitive and commonsensical reasons for the need of a clarification of the notion of artefact in ontologies for information systems, and we analyse some characterisations of the notion given by two top-level ontologies (Cyc and Wordnet). Secondly, we introduce and critically analyse Tzouvaras’ notion of copy. Thirdly, we try to complete an analysis of copy by distinguishing three kinds of copies: replicas (Tzouvaras’ notion of copy), rigid copies, and functional copies. With the help of these three notions we outline a first and preliminary distinction between artefacts, objects of art and natural objects
|Keywords||Information systems Ontology Artefact Copies|
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References found in this work BETA
James J. Gibson (1979). The Ecological Approach to Visual Perception. Houghton Mifflin.
Amie L. Thomasson (1999). Fiction and Metaphysics. Cambridge University Press.
Amie L. Thomasson (2003). Fictional Characters and Literary Practices. British Journal of Aesthetics 43 (2):138-157.
Athanassios Tzouvaras (1993). Significant Parts and Identity of Artifacts. Notre Dame Journal of Formal Logic 34 (3):445-452.
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