David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
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Oxford University Press (1998)
Matravers examines how emotions form the bridge between our experience of art and of life. We often find that a particular poem, painting, or piece of music carries an emotional charge; and we may experience emotions toward, or on behalf of, a particular fictional character. Matravers shows that what these experiences have in common, and what links them to the expression of emotion in non-artistic cases, is the role played by feeling. He carries out a critical survey of various accounts of the nature of fiction, attacks contemporary cognitivist accounts of expression, and offers an uncompromising defense of a controversial view about musical expression: that music works by expressing the emotions it causes its listeners to feel.
|Keywords||Emotions (Philosophy Aesthetics Emotions in art|
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|Call number||B105.E46.M37 1998|
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Citations of this work BETA
Tyler Doggett & Andy Egan (2012). How We Feel About Terrible, Non-Existent Mafiosi. Philosophy and Phenomenological Research 84 (2):277-306.
Tom Cochrane (2010). A Simulation Theory of Musical Expressivity. Australasian Journal of Philosophy 88 (2):191-207.
Jonathan Gilmore (2011). Aptness of Emotions for Fictions and Imaginings. Pacific Philosophical Quarterly 92 (4):468-489.
Paul Noordhof (2008). Expressive Perception as Projective Imagining. Mind and Language 23 (3):329–358.
Tom Cochrane (2010). Music, Emotions and the Influence of the Cognitive Sciences. Philosophy Compass 5 (11):978-988.
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