De-westernizing film studies

& (eds.)
New York: Routledge (2012)
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Abstract

The book combines a series of chapters considering a range of responses to the idea of 'de-westernizing' film studies with a series of in-depth interviews with filmmakers, scholars and critics.

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PN1995.D49 2012

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9780415687836
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Chapters

Dis-)continuities from "within" the West. "A double set of glasses": Stanley Kubrick and the midrashic mode of interpretation.Nathan Abrams
Affective passions: the dancing female body and colonial rupture in Zouzou (1934) and Karmen Geï (2001).Saër Maty Bâ & Kate E. Taylor-Jones
Griots and Talanoa speak: storytelling as theoretical frames in African and Pacific Island cinemas.Yifen Beus
Introduction.Saër Maty Bâ & Will Higbee
Questioning discourses of diaspora: "Black" cinema as symptom.Saër Maty Bâ
Has film ever been Western? continuity and the question of building a "common" cinema.William Brown
Banal transnationalism: on Makhmalbaf's "Borderless" filmmaking.Shahab Esfandiary
Dis-)continuities of the cinematic imaginary: (non-)representation, discourse and theory. Imagi[ni]ng the universe: cosmos, otherness and cinema.Eddie George & Anna Piva
Narrating the (trans)nation, region and community from non-western perspectives. De-westernizing national cinema: re-imagined communities in the films of Férid Boughedir.Will Higbee
Situated bodies, cinematic orientations: film and (queer) phenomenology.Katharina Lindner
African frameworks of analysis for African film studies.Sheila J. Petty
The intra-east cinema: the re-framing of an "East Asian" film sphere.Kate E. Taylor-Jones

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