Kant's sublime: A form of pure aesthetic reflective judgment
Journal of Aesthetics and Art Criticism 54 (2):165-180 (1996)
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Luigi Caranti (2005). Logical Purposiveness and the Principle of Taste. Kant-Studien 96 (3):364-374.
Jean-François Lyotard (1994). Lessons on the Analytic of the Sublime: Kant's Critique of Judgment, [Sections] 23-29. Stanford University Press.
Danielle Lories (2006). Remarks on Aesthetic Intentionality: Husserl or Kant. International Journal of Philosophical Studies 14 (1):31 – 49.
Gabriele Tomasi (2005). Kant on Painting and the Representation of the Sublime. Croatian Journal of Philosophy 5 (3):545-567.
Christian Helmut Wenzel (2009). Kant's Aesthetics: Overview and Recent Literature. Philosophy Compass 4 (3):380-406.
Jennifer McMahon (2011). Critical Aesthetic Realism. Journal of Aesthetic Education 45 (2).
Rodolphe Gasché (2003). The Idea of Form: Rethinking Kant's Aesthetics. Stanford University Press.
Henry E. Allison (2001). Kant's Theory of Taste: A Reading of the Critique of Aesthetic Judgment. Cambridge University Press.
Immanuel Kant (1960). Observations on the Feeling of the Beautiful and Sublime. Berkeley, University of California Press.
C. E. Emmer (2001). The Senses of the Sublime: Possibilities for a Non-Ocular Sublime in Kant's Critique of Judgment. In Volker Gerhardt, Rolf Horstmann & Ralph Schumacher (eds.), Kant und die Berliner Aufklärung: Akten des IX. Internationalen Kant-Kongresses, Vol. 3. Walter de Gruyter.
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