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- Mohan Matthen (2009). Truly Blue: An Adverbial Aspect of Perceptual Representation. Analysis 69 (1):48-54.It commonly occurs that one person sees a particular colour chip B as saturated blue with no admixture of red or green (i.e., as “uniquely blue”), while another sees it as a somewhat greenish blue. Such a difference is often accompanied by agreement with respect to colour matching – the two persons may mostly agree when asked whether two chips are of the same colour, and this may be so across the whole range of colours. Asked whether B is the same or different from other chips, they mostly agree – though they continue to disagree about whether B is uniquely blue. I shall argue that in such cases neither individual misperceives what colour B is. They differ, rather, in how they perceive the colour of B.
Similar books and articles
In his book Naturalizing the Mind, Fred Dretske, among other things, gives what he thinks is a naturalist account of what he calls introspective knowledge.1 I shall not quarrel with his labels; I shall quarrel with what he tries to sell by using them. For him, introspective knowledge is “the mind’s direct knowledge of itself”,2 and he concentrates on knowledge of one’s own current mental occurrences, especially those which belong to the realm of sensory perception. An example he discusses is the knowledge somebody has who looks at something and sees it as blue, and thereby knows that he is, as Dretske puts it, “representing” it as blue. I shall stick to this example. Harvey is looking at my shirt, and he thereby comes to know that he is representing it as blue. Dretske wants to answer the question: What is really happening when Harvey acquires this piece of introspective knowledge? Let me first give, in a very rough way, what I take to be Dretske’s basic idea. Introspective knowledge is not acquired by anything like looking inside oneself. One looks in the same direction as one does when one is acquiring “extraspective” knowledge. Harvey doesn’t first look at my shirt, saying “Uhuh, this shirt looks blue, but now I’d like to find out how I am representing it”, and then turns to look at something else in order to find out what the colour is he is representing the shirt to have. Harvey only looks at the shirt, when he acquires this item of introspective knowledge. In looking at that shirt, he acquires all the information he needs for acquiring the knowledge about himself that he is representing it as blue. The eyes’ job is done. The rest is exploiting that very information, not acquiring any new information.
The question of the constituting nature of colour is largely open. The old dispute between colour objectivism and colour subjectivism is still relevant. The former has defended itself against accusations of not being able to explain colour structures, while the latter view has received criticism for not being able to provide a plausible theory of the location of colours. By weakening the notion of physical categories, making some of them perceiver-depended, colour objectivists have managed to overcome at least some of the previous accusations. However, the arguments based on Crane's and Piantanida's findings of the existence of binary colours like greenish-red and yellowish-blue, indicate the inadequacy of colour objectivism. Consequently, we have colours but our theories of them are false.
Physicalism about colour is the thesis that colours are identical with response-independent, physical properties of objects. I endorse the Argument from Structure against Physicalism about colour. The argument states that Physicalism cannot accommodate certain obvious facts about colour structure: for instance, that red is a unitary colour while purple is a binary colour, and that blue resembles purple more than green. I provide a detailed formulation of the argument. According to the most popular response to the argument, the Physicalist can accommodate colour structure by explaining it in terms of colour experience. I argue that this response fails. Along the way, I examine other interesting issues in the philosophy of colour and colour perception, for instance the relational structure of colour experience and the description theory of how colour names refer.
If we imagine a chess-board with alternate blue and red squares, then this is something in which the individual red and blue areas allow themselves to be distinguished from each other in juxtaposition, and something similar holds also if we imagine each of the squares divided into four smaller squares also alternating between these two colours. If, however, we were to continue with such divisions until we had exceeded the boundary of noticeability for the individual small squares which result, then it would no longer be possible to apprehend the individual red and blue areas in their respective positions. But would we then see nothing at all? Not in the least; rather we would see the whole chessboard as violet, i.e. apprehend it as something that participates simultaneously in red and blue.
(Tye 2006) presents us with the following scenario: John and Jane are both stan- dard human visual perceivers (according to the Ishihara test or the Farnsworth test, for example) viewing the same surface of Munsell chip 527 in standard conditions of visual observation. The surface of the chip looks “true blue” to John (i.e., it looks blue not tinged with any other colour to John), and blue tinged with green to Jane.1 Tye then in effect poses a multiple choice question.
Most men and nearly all women have non-defective colour vision, as measured by standard colour tests such as those of Ishihara and Farns- worth. But people vary, according to gender, race and age in their per- formance in matching experiments. For example, when subjects are shown a screen, one half of which is lit by a mixture of red and green lights and the other by yellow or orange light, and they are asked to ad- just the mixture of lights so as to make the two halves of the screen match in colour, they disagree about the location of the match. Where one male subject sees the two sides of the screen as being the same in colour, an- other female subject may see one side as a little redder or greener. And there are corresponding differences with age and race.
1. The “puzzle” Physical objects are coloured: roses are red, violets are blue, and so forth. In particular, physical objects have fine-grained shades of colour: a certain chip, we can suppose, is true blue (unique, or pure blue). The following sort of scenario is commonplace. The chip looks true blue to John; in the same (ordinary) viewing conditions it looks (slightly) greenish-blue to Jane. Both John and Jane are “normal” perceivers. Now, nothing can be both true blue and greenish-blue; since the chip is true blue, it is not greenish-blue. Hence Jane, unlike John, is misperceiving the chip. Generalizing, the conclusion is that there is widespread misperception of fine-grained shades. According to Tye (2006), and Cohen, Hardin, and McLaughlin (2006), the previous paragraph amounts to a paradox: an apparently unacceptable conclusion has been drawn from apparently acceptable premises via apparently acceptable reasoning. (See also Hawthorne and Kovakovich 2006, 180-1.) Tye swallows the conclusion, aided by a dose of evolutionary speculation. Hardin (1988), on the other hand, rejects the first premise, and denies that physical objects are coloured. Cohen (2004) and McLaughlin (2003) claim that both Jane and John have the colour of the chip right. Our opening paragraph concealed a crucial parameter. In fact, the chip looks greenish-blue-relative-to- circumstances-C to Jane, and true-blue-relative-to-circumstances-C* to John, and the chip has both these relativized colours.1 All this ingenious philosophizing would be in vain, of course, if the conclusion of the opening paragraph were not puzzling or problematic. So, why is it supposed to be? According to Tye, the conclusion is puzzling because John and Jane are both “normal perceivers” (xx). He seems to think that it is (prima facie) plausible to assume..
1. The “puzzle” Physical objects are coloured: roses are red, violets are blue, and so forth. In particular, physical objects have fine-grained shades of colour: a certain chip, we can suppose, is true blue (unique, or pure blue). The following sort of scenario is commonplace. The chip looks true blue to John; in the same (ordinary) viewing conditions it looks (slightly) greenish-blue to Jane. Both John and Jane are “normal” perceivers. Now, nothing can be both true blue and greenish-blue; since the chip is true blue, it is not greenish-blue. Hence Jane, unlike John, is misperceiving the chip. Generalizing, the conclusion is that there is widespread misperception of fine-grained shades. According to Tye (2006), and Cohen, Hardin, and McLaughlin (2006), the previous paragraph amounts to a paradox: an apparently unacceptable conclusion has been drawn from apparently acceptable premises via apparently acceptable reasoning. (See also Hawthorne and Kovakovich 2006, 180-1.) Tye swallows the conclusion, aided by a dose of evolutionary speculation. Hardin (1988), on the other hand, rejects the first premise, and denies that physical objects are coloured. Cohen (2004) and McLaughlin (2003) claim that both Jane and John have the colour of the chip right. Our opening paragraph concealed a crucial parameter. In fact, the chip looks greenish-blue-relative-tocircumstances-C to Jane, and true-blue-relative-to-circumstances-C* to John, and the chip has both these relativized colours.1 All this ingenious philosophizing would be in vain, of course, if the conclusion of the opening paragraph were not puzzling or problematic. So, why is it supposed to be? According to Tye, the conclusion is puzzling because John and Jane are both “normal perceivers” (xx). He seems to think that it is (prima facie) plausible to assume..
Physical objects are coloured: roses are red, violets are blue, and so forth. In particular, physical objects have fine-grained shades of colour: a certain chip, we can suppose, is true blue (unique, or pure blue). The following sort of scenario is commonplace. The chip looks true blue to John; in the same (ordinary) viewing conditions it looks (slightly) greenish-blue to Jane. Both John and Jane are “normal” perceivers. Now, nothing can be both true blue and greenish-blue; since the chip is true blue, it is not greenish-blue. Hence Jane, unlike John, is misperceiving the chip. Generalizing, the conclusion is that there is widespread misperception of fine-grained shades. According to Tye (2006), and Cohen, Hardin, and McLaughlin (2006), the previous paragraph amounts to a paradox: an apparently unacceptable conclusion has been drawn from apparently acceptable premises via apparently acceptable reasoning. (See also Hawthorne and Kovakovich 2006: 180-1.) Tye swallows the conclusion, aided by a dose of evolutionary speculation. Hardin (1988), on the other hand, rejects the first premise, and denies that physical objects are coloured. Cohen (2004) and McLaughlin (2003) claim that both Jane and John have the colour of the chip right. Our opening paragraph concealed a crucial parameter. In fact, the chip looks greenish-blue-relative-to- circumstances-C to Jane, and true-blue-relative-to-circumstances-C* to John, and the chip has both these relativized colours.1 All this ingenious philosophizing would be in vain, of course, if the conclusion of the opening paragraph were not puzzling or problematic. So, why is it supposed to be? According to Tye, the conclusion is puzzling because John and Jane are both “_normal_ perceivers” (xx). He seems to think that it is (prima facie) plausible to assume that there is no variation in perceptual accuracy among normal perceivers. But he does not explain why this assumption should be made..
A chip looks true blue to John and greenish blue to Jane. On the face of it, at least one of the two perceivers has an inaccurate colour experience; for the chip cannot be both true blue and greenish blue. But John and Jane are “normal” perceivers, and there is no privileged class of normal perceivers (Block 1999). This is the puzzle of true blue (Tye.
Discussion of Mohan Matthen, Truly blue: An adverbial aspect of perceptual representation
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