A Portrait of the Teacher as Friend and Artist: The example of Jean-Jacques Rousseau
Educational Philosophy and Theory 43 (5):508-520 (2011)
| Abstract | The following is a reflection on the possibility of teaching by example, and especially as the idea of teaching by example is developed in the work of Jean-Jacques Rousseau. My thesis is that Rousseau created a literary version of himself in his writings as an embodiment of his philosophy, rather in the same way and with the same purpose that Plato created a version of Socrates. This figure of Rousseau—a sort of philosophical portrait of the man of nature—is represented as an example for us to follow. This would appear to have been dangerous and destabilizing work, given the mental distress that it caused Rousseau in striving to live up to his fictional self. Rousseau's own ideas on the nature of teaching by example are presented in a discussion of the section in ‘Emile’ which Rousseau takes from an incident in his own life—the story of his meeting with a young Savoyard priest who befriended him and influenced him through the power of his example | |||||||||
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Jean Starobinski (1988). Jean-Jacques Rousseau, Transparency and Obstruction. University of Chicago Press.
Jean-Jacques Rousseau (1997). The Discourses and Other Political Writings. Cambridge University Press.
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Eve Grace & Christopher Kelly (eds.) (2012). The Challenge of Rousseau. Cambridge University Press.
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Amy B. Shuffelton (2012). Rousseau's Imaginary Friend: Childhood, Play, and Suspicion of the Imagination in Emile. Educational Theory 62 (3):305-321.
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