David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
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British Journal of Aesthetics 45 (4):368-387 (2005)
The paper addresses the intuitions of aestheticians concerning a fundamental contrast between the judgement, appreciation, and interest appropriate to artworks and those judgements, appreciations, and interests appropriate to all the other (non-art) cases of aesthetic interest. Then terms such as beauty must amount to something different in art-cases from that in other (aesthetic) cases. For the fact of being an artwork is transfigurational, allowing artistic properties to be (truly) ascribed. In arguing against the univocality of terms such as beauty (by stressing occasion-sensitivity), the paper rejects the idea of a ‘look of the thing’ shared by art and non-art. And the pervasiveness of this artistic/aesthetic contrast is urged.
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Citations of this work BETA
Rob van Gerwen (2011). Mathematical Beauty and Perceptual Presence. Philosophical Investigations 34 (3):249-267.
David Carr & Robert Davis (2007). The Lure of Evil: Exploring Moral Formation on the Dark Side of Literature and the Arts. Journal of Philosophy of Education 41 (1):95–112.
Sidiropoulou (2013). Art as Moral Education in Contemporary Cinema. Journal of Aesthetic Education 47 (4):27.
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