Unifying conceptual spaces: Concept formation in musical creative systems [Book Review]

Minds and Machines 20 (4):503-532 (2010)
Abstract
We examine Gärdenfors’ theory of conceptual spaces, a geometrical form of knowledge representation (Conceptual spaces: The geometry of thought, MIT Press, Cambridge, 2000 ), in the context of the general Creative Systems Framework introduced by Wiggins (J Knowl Based Syst 19(7):449–458, 2006a ; New Generation Comput 24(3):209–222, 2006 b ). Gärdenfors’ theory offers a way of bridging the traditional divide between symbolic and sub-symbolic representations, as well as the gap between representational formalism and meaning as perceived by human minds. We discuss how both these qualities may be advantageous from the point of view of artificial creative systems. We take music as our example domain, and discuss how a range of musical qualities may be instantiated as conceptual spaces, and present a detailed conceptual space formalisation of musical metre
Keywords Conceptual spaces  Creativity  Search  Geometry  Musical rhythm  Similarity
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