Aesthetics and Film. By Katherine Thomson-Jones. (London: Continuum, 2008. Pp. 160. Price £60.00.)
Philosophical Quarterly 62 (249):865-867 (2012)
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Katherine Thomson-Jones (2007). The Literary Origins of the Cinematic Narrator. British Journal of Aesthetics 47 (1):76-94.
Katherine Thomson-Jones (2005). Inseparable Insight: Reconciling Cognitivism and Formalism in Aesthetics. Journal of Aesthetics and Art Criticism 63 (4):375–384.
W. P. Seeley (2010). New Waves in Aesthetics Edited by Stock, Kathleen and Katherine Thomson-Jones. Journal of Aesthetics and Art Criticism 68 (2):188-191.
Katherine Thomson-Jones (2009). Cinematic Narrators. Philosophy Compass 4 (2):296-311.
Katherine Thomson-Jones (2008). The Philosophy of Motion Picturesby Carroll, Noël. Journal of Aesthetics and Art Criticism 66 (4):401-403.
K. Thomson-Jones (2006). The Philosophy of Film: Introductory Texts and Readings. British Journal of Aesthetics 46 (2):210-212.
Kathleen Stock & Katherine Thomson-Jones (eds.) (2008). New Waves in Aesthetics. Palgrave Macmillan.
Katherine Thomson-Jones (2011). A Philosophy of Cinematic Art – Berys Gaut. Philosophical Quarterly 61 (243):445-446.
K. J. Thomson-Jones (2012). Narration in Motion. British Journal of Aesthetics 52 (1):33-43.
Katherine Thomson (2003). Review: Tolstoy on Aesthetics: What is Art? [REVIEW] Mind 112 (445):162-166.
Derek Matravers (2009). Review of Kathleen Stock, Katherine Thomson-Jones (Eds.), New Waves in Aesthetics. [REVIEW] Notre Dame Philosophical Reviews 2009 (12).
Peter Jones (1969). Prelude to Aesthetics. By Eva Schaper. (London, Allen and Unwin 1968. Pp. 179 Price 40s.). Philosophy 44 (170):351-.
K. Thomson-Jones (2013). Cinema, Philosophy, Bergman: On Film as Philosophy, by Paisley Livingston. Mind 121 (484):1095-1099.
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