Critical Aesthetic Realism
Journal of Aesthetic Education 45 (2) (2011)
| Abstract | A clear-cut concept of the aesthetic is elusive. Kant’s Critique of Judgment presents one of the more comprehensive aesthetic theories from which we can extract a set of features, some of which pertain to aesthetic experience and others to the logical structure of aesthetic judgment. When considered together, however, these features present a number of tensions and apparent contradictions. Kant’s own attempt to dissolve these apparent contradictions or dichotomies was not entirely satisfactory as it rested on a vague notion of indeterminacy. He addressed the emerging tensions with his distinction between pure and dependent beauty, which is a distinction I believe a satisfactory theory of aesthetic judgment would .. | |||||||||
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Robert Hopkins (2001). Kant, Quasi-Realism, and the Autonomy of Aesthetic Judgement. European Journal of Philosophy 9 (2):166–189.
C. E. Emmer (2001). The Senses of the Sublime: Possibilities for a Non-Ocular Sublime in Kant's Critique of Judgment. In Volker Gerhardt, Rolf Horstmann & Ralph Schumacher (eds.), Kant und die Berliner Aufklärung: Akten des IX. Internationalen Kant-Kongresses, Vol. 3. Walter de Gruyter.
Bart Vandenabeele (2007). Schopenhauer on the Values of Aesthetic Experience. Southern Journal of Philosophy 45 (4):565-582.
Aaron Meskin (2004). Aesthetic Testimony: What Can We Learn From Others About Beauty and Art? Philosophy and Phenomenological Research 69 (1):65–91.
Jenny McMahon (2010). The Classical Trinity and Kant's Aesthetic Formalism. Critical Horizons 11 (3):419-441.
Alison Ross (2010). The Modern Concept of Aesthetic Experience: From Ascetic Pleasure to Social Criticism. Critical Horizons 11 (3):333-339.
Ian F. Verstegen (2011). A Critical Realist Perspective on Aesthetic Value. Journal of Critical Realism 5 (2):323-343.
Malcolm Budd (2008). Aesthetic Essays. Oxford University Press.
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