Photographs as evidence
| Abstract | Photographs furnish evidence. This is true in both formal and informal contexts. The use of photographs as legal evidence goes back to the very earliest days of photography, and they have been used in American trials since around the time of the Civil War. Photographs may also serve as historical evidence (for example, about the Civil War). And they serve in informal contexts as evidence about all sorts of things, such as what we and our loved ones looked like in the past. | |||||||||
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Robert Hopkins (2012). Factive Pictorial Experience: What's Special About Photographs? Noûs 46 (4):709-731.
Bence Nanay (2010). Transparency and Sensorimotor Contingencies: Do We See Through Photographs? Pacific Philosophical Quarterly 91 (4):463-480.
Jonathan Cohen & Aaron Meskin (2004). On the Epistemic Value of Photographs. Journal of Aesthetics and Art Criticism 62 (2):197–210.
Jiri Benovsky (2011). Three Kinds of Realism About Photographs. Journal of Speculative Philosophy.
Aaron Meskin (2004). On the Epistemic Value of Photographs. Journal of Aesthetics and Art Criticism 62 (2):197 - 210.
Adina L. Roskies (2008). Neuroimaging and Inferential Distance. Neuroethics 1 (1).
Adina L. Roskies (2007). Are Neuroimages Like Photographs of the Brain? Philosophy of Science 74 (5):860-872.
Catharine Abell (2010). The Epistemic Value of Photographs. In Catharine Abell & Katerina Bantinaki (eds.), Philosophical Perspectives on Depiction. Oxford University Press.
Dominic McIver Lopes (2003). The Aesthetics of Photographic Transparency. Mind 112 (447):434--48.
Aaron Meskin & Jonathan Cohen (2008). Photographs as Evidence. In Scott Walden (ed.), Photography and Philosophy: Essays on the Pencil of Nature. Blackwell.
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