David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
Nordic Journal of Aesthetics 38 (18):34 (2009)
In the contemporary analytic philosophy of literature and especially literary theory, the paradigmatic way of understanding the beliefs and attitudes expressed in works of literary narrative fiction is to attribute them to an implied author, an entity which the literary critic Wayne C. Booth introduced in his influential study The Rhetoric of Fiction. Roughly put, the implied author is an entity between the actual author and the narrator whose beliefs and attitudes cannot be appropriately ascribed to the actual author. Over the decades, this “the author’s second self,” a construct the actual author is seen to create in her act of writing, has gained an established place in literary theory. In the philosophy of literature, in turn, the implied author has evolved into multiple entities; it has been represented and developed as, for instance, “the postulated author” (Alexander Nehamas), “the fictional author” (Gregory Currie) and “the model author” (Umberto Eco). The aim of this paper is to suggest that although the implied author, and its philosophical counterparts, sheds light on certain types of narratives, it is insufficient in approaches which emphasize the truth-claims conveyed by a work. In what follows, I try to show that, first, from an ontological point of view, actual assertions in literary fiction, if any, have to be attributed to the actual author and, second, that the question of truth-claiming in and by literary fiction is an epistemological matter concerning the actual intentions of the author.
|Keywords||literature fiction interpretation implied author actual author truth-claiming|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Stavroula Glezakos (forthcoming). Truth and Reference in Fiction. In Gillian Russell & Delia Graff Fara (eds.), Routledge Companion to the Philosophy of Language. Routledge.
Jukka Mikkonen (2010). On the Body of Literary Persuasion. Estetika 47 (1):51-71.
Stephen Davies (2006). Authors' Intentions, Literary Interpretation, and Literary Value. British Journal of Aesthetics 46 (3):223-247.
Jukka Mikkonen (2010). Contemplation and Hypotheses in Literature. Philosophical Frontiers 5 (1):73-83.
Jukka Mikkonen, Implicit Assertions in Literary Fiction. Proceedings of the European Society for Aesthetics, vol. 2.
Edward Harcourt (2010). Truth and the 'Work' of Literary Fiction. British Journal of Aesthetics 50 (1):93-97.
Jukka Mikkonen (2008). Philosophical Fiction and the Act of Fiction-Making. SATS: Northern European Journal of Philosophy 9 (2):116-132.
Jukka Mikkonen (2009). Intentions and Interpretations: Philosophical Fiction as Conversation. Contemporary Aesthetics 7.
Jukka Mikkonen (2009). Assertions in Literary Fiction. Minerva 13:144-180.
Jukka Mikkonen (2010). Sutrop on Literary Fiction-Making: Defending Currie. Disputatio 3 (28):151-157.
Added to index2009-06-10
Total downloads8 ( #192,398 of 1,410,182 )
Recent downloads (6 months)1 ( #177,870 of 1,410,182 )
How can I increase my downloads?