Roman Ingarden’s Aesthetics

Philosophy Compass 7 (7):436-447 (2012)
While Roman Ingarden remains best known among English‐speaking philosophers and literary theorists for his work in aesthetics, and primarily for his study of the literary work of art, his studies in aesthetics and art belong in fact to the comprehensive program of phenomenological research in ontology and metaphysics that occupied him for his entire career. In this article I briefly describe this program of phenomenological research, then I discuss some of the major features of Ingarden’s analyses of works of art and the aesthetic experience
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DOI 10.1111/j.1747-9991.2012.00493.x
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References found in this work BETA
Mikel Dufrenne (1973). The Phenomenology of Aesthetic Experience. Evanston [Ill.]Northwestern University Press.
Roman Ingarden (1973). The Literary Work of Art. Evanston,Northwestern University Press.

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Amie Thomasson (2008). Roman Ingarden. Stanford Encyclopedia of Philosophy.
Asbjörn Aarnes & Roman Ingarden (1967). Roman Ingarden en Norvège. Revue de Métaphysique et de Morale 72 (3):332 - 343.
Teddy Brunius (1970). The Aesthetics of Roman Ingarden. Philosophy and Phenomenological Research 30 (4):590-595.
Roman Ingarden (1964). Artistic and Aesthetic Values. British Journal of Aesthetics 4 (3):198-213.

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