David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jonathan Jenkins Ichikawa
Jack Alan Reynolds
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Ethics, Place and Environment 12 (3):357-365 (2009)
The theory presented in my book, Natural Beauty , is syncretic in that it denies the exclusivity of any one model of aesthetic appreciation of natural objects and instead insists: (1) that there is a tight, reciprocating connection between talents of perception that we develop in relation to arts and to natural objects; and (2) that the appreciation of natural beauty is intimately connected to the appreciation of other social values, including ethical values. In this paper, I respond to criticisms of my syncretic approach---chiefly that it fails to reconcile objective and subjective elements in aesthetic judgment, that it fails to marshal its many modes of judgment into rational consistency, and that it fails to take proper stock of the role of scientific knowledge in these judgments---offered by Arnold Berleant, Stephanie Ross, and Glenn Parsons
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References found in this work BETA
Emily Brady (1998). Imagination and the Aesthetic Appreciation of Nature. Journal of Aesthetics and Art Criticism 56 (2):139-147.
Monroe C. Beardsley (1966). Aesthetics From Classical Greece to the Present. Journal of Aesthetics and Art Criticism 25 (2):213-215.
Guy Sircello (1975). A New Theory of Beauty. Princeton University Press.
Archibald Alison, Hurst Brown Longman, George Ramsay and Company & Archibald Constable & Co (1812). Essays on the Nature and Principles of Taste. Printed by George Ramsay & Company, for Archibald Constable and Company, Edinburgh; and Longman, Hurst, Rees, Orme and Brown, London.
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