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- David Morris, Andrew Robinson & Catherine Duchastel, Concordance of Merleau-Ponty's Phenomenology of Perception.This is a concordance of page numbers in the following editions of Merleau-Ponty's Phenomenology of Perception: English editions prior to the Routledge Classics 2002; Routledge Classics edition, with the new pagination; the French edition from Gallimard, prior to 2005; the 2e edition from Gallimard, 2005, with new pagination.
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In this essay an effort is made to answer the question of what function psychology and psychiatry have in merleau-ponty's ``the structure of behavior and phenomenology of perception''. it is argued that in his first book merleau-ponty tried to present a philosophical critique of the behaviorist and gestaltist interpretations of empirical psychology, whereas ``phenomenology of perception'' attempts to make a contribution to philosophical anthropology which in many instances employs analyses which belong to phenomenological psychology, the regional ontology of psychic phenomena.
In this paper I examine how well Merleau-Ponty's philosophy can respond to Deleuze's challenge to phenomenology. The Deleuzian challenge is double, that of immanence and that of difference; in other words, the double challenge is what Deleuze calls the paradox of expression. I bring together, in particular, Deleuze's 1969 The Logic of Sense and Merleau-Ponty's 1945 the Phenomenology of Perception, and am able to discover a lot of similarities mainly centered around the notion of a past that has never been present. However, this comparison is not decisive; what alone can decide is an interpretation of expression in Merleau-Ponty's final, unfinished The Visible and the Invisible.
Drawing on the philosophies of Merleau-Ponty and Bergon, as well as contemporary psychology to develop a renewed account of the moving, perceiving body, the ...
Maurice Merleau-Ponty was the first French thinker to identify phenomenology with philosophy. He is known and celebrated as a renowned phenomenologist and was identified as a key figure in the existential movement. In his wide-ranging and penetrative study, Stephen Priest engages Merleau-Ponty across the full range of his thought. He considers Merleau-Ponty's writings on the problems of the body, perception, space, time, subjectivity. freedom, language, other minds, physical objects, art and being. Priest uses clear and direct language to explain the thoughts and the ensuing importance of one of the greatest contemporary thinkers. Philosophy students and scholars alike will find great pleasure in this fascinating exploration of the writings and ideas of Maurice Merleau-Ponty.
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Perhaps no concept is more central to maurice merleau-ponty's philosophy than his concept of depth. not only did merleau-ponty recognize the philosophical significance of depth for articulating a phenomenology of perception, but he saw it as essential for pursuing and expressing a novel, radical ontology. depth, merleau-ponty writes, is ``the most existential dimension,'' ``the dimension of dimensions''; it is the ``sine qua non'' of the world and being. let me elucidate merleau-ponty's radical concept of depth by ``addressing'' the salient contexts in which he approached this notion. in the first part of this paper, i shall examine depth in the experience of perception and schizophrenia. in the second, i shall discuss depth as descriptive of an ontology of ``flesh'' and as the guiding theme for the philosophical enterprise.
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Not only does peirce's theory of meaning as dispositional or as habit contain parallels with merleau-ponty's view of meaning in the structure of human behavior, but also both peirce and merleau-ponty alike attack reductivistic theories of perception. within this context, the present paper focuses on the use of kantian schemata in the philosophies of peirce and merleau-ponty, but to the extent that such incorporations are consistent with trends in pragmatism and phenomenology in general, it will reveal points of encounter not just between peirce and merleau-ponty but between pragmatism and phenomenology in general.
'In simple prose Merleau-Ponty touches on his principle themes. He speaks about the body and the world, the coexistence of space and things, the unfortunate optimism of science – and also the insidious stickiness of honey, and the mystery of anger.' - James Elkins Maurice Merleau-Ponty was one of the most important thinkers of the post-war era. Central to his thought was the idea that human understanding comes from our bodily experience of the world that we perceive: a deceptively simple argument, perhaps, but one that he felt had to be made in the wake of attacks from contemporary science and the philosophy of Descartes on the reliability of human perception. From this starting point, Merleau-Ponty presented these seven lectures on The World of Perception to French radio listeners in1948. Available in a paperback English translation for the first time in the Routledge Classics series to mark the centenary of Merleau-Ponty’s birth, this is a dazzling and accessible guide to a whole universe of experience, from the pursuit of scientific knowledge, through the psychic life of animals to the glories of the art of Paul Cézanne.
This article offers an overview of the structure and significance of Merleau-Ponty's phenomenology. Neither a psychological nor an epistemological theory, Merleau-Ponty's Phenomenology of Perception is instead an attempt to describe perceptual experience as we experience it. Although he was influenced heavily by Husserl, Heidegger, and Gestalt psychology, his work departs significantly from all three. Particularly original is his account of our bodily, precognitive experience of other persons, which he argues is essentially more primitive than any belief or doubt we can raise concerning the contents or even the existence of their minds. I conclude with a discussion of the differences between Merleau-Ponty's phenomenology and Alva Noë's more recent 'enactive' theory of perception.
Discussion of David Morris , Andrew Robinson & Catherine Duchastel, Concordance of Merleau-Ponty's Phenomenology of Perception
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