Online research in philosophy

In a Working Note to The Visible and the Invisible, Merleau-Ponty uses the fine phraseology of an “architectonic past” and a “mythical time” to describe Proust’s remembrances of things past. This paper first considers how this architectonic past sheds light on Merleau-Ponty’s ontology, and second how this results in a mythical time, which is an originary encounter with this past. Paying also attention to Merleau-Ponty’s final, completed reflections on “Swann’s Way,” Volume One of Remembrances of Things Past, I suggest that by exposing the inner-connection between the two senses of time, Proust is highly significant for Merleau-Ponty’s thesis of “reversibility”. Proustian remembrances are used by Merleau-Ponty not to expose an inwardness, but something that is withdrawn and behind the sensible. The way in which these remembrances operate in myth time bespeaks of a memorial dimension of the past of being itself.

Originally published in 1988, M. C. Dillon's classic study of Merleau-Ponty is now available in a revised second edition containing a new preface and a new ...

In this paper I examine how well Merleau-Ponty's philosophy can respond to Deleuze's challenge to phenomenology. The Deleuzian challenge is double, that of immanence and that of difference; in other words, the double challenge is what Deleuze calls the paradox of expression. I bring together, in particular, Deleuze's 1969 The Logic of Sense and Merleau-Ponty's 1945 the Phenomenology of Perception, and am able to discover a lot of similarities mainly centered around the notion of a past that has never been present. However, this comparison is not decisive; what alone can decide is an interpretation of expression in Merleau-Ponty's final, unfinished The Visible and the Invisible.

This paper seeks to propose a direction of research based upon the transformation of Merleau-Ponty's thinking with respect to animal life over the course of his writings. In his earlier works, Merleau-Ponty takes up the position that “life” does not mean the same thing when applied to an animal and a human being because of the manner in which the “human dialectic” alters the human being's relation to life. In his later works, particularly in his lectures on nature, this position softens so that the relationship between animals and humans becomes non-hierarchical, but remains essentially the same: there may be no “rupture” between humans and animals, but they are still essentially distinct insofar as all non-humans can be grouped into a single class of “animality.” I attempt to show that Merleau-Ponty fails to follow through with his most radical insights with respect to the relationships between living beings by preserving this distinction and suggest some ways in which we might today confront this problem through the works of Merleau-Ponty in a way that he did not. The proposal, then, is to take seriously “dialectical” biology and develop a Merleau-Pontian conception of species based upon the interrelations of living beings and their environments rather than focusing solely on organisms as discrete units. The conclusion then considers what the consequences of this understanding might be for our understanding of Merleau-Ponty's ontology in general.

This essay argues that Merleau-Ponty’s concept of nature as a “privileged expression” of ontology provides the conceptual support for a more responsible attitude toward humans and nature. Furthermore, this concept of nature needs to be viewed in the light of a more profound concept that opens a new vision of the human being’s place in the world, namely Merleau-Ponty’s fields of perception. Shiva’s writings pertaining to the environment gain a more profound, yet critical, understanding when viewed in this way. Similarly, Merleau-Ponty’s attempts “to reconcile the old world and the new” (MP 1964, 4) through implementation of his phenomenology to political and ethical questions is reviewed anew.

This chapter studies the theme of the body in Merleau-Ponty by first showing how it is anticipated in The Structure of Behaviour and is central to the Phenomenology of Perception. In addition to illuminating Merleau-Ponty's concept of the body, the aim is to show how the body is, for Merleau-Ponty, a key methodological term, since it marks philosophy's inherent openness to something prephilosophical, to which philosophy must be responsible. The chapter shows how this openness and the body's expressive role in the earlier philosophy anticipates key issues in the later The Visible and the Invisible.

Perhaps no concept is more central to maurice merleau-ponty's philosophy than his concept of depth. not only did merleau-ponty recognize the philosophical significance of depth for articulating a phenomenology of perception, but he saw it as essential for pursuing and expressing a novel, radical ontology. depth, merleau-ponty writes, is ``the most existential dimension,'' ``the dimension of dimensions''; it is the ``sine qua non'' of the world and being. let me elucidate merleau-ponty's radical concept of depth by ``addressing'' the salient contexts in which he approached this notion. in the first part of this paper, i shall examine depth in the experience of perception and schizophrenia. in the second, i shall discuss depth as descriptive of an ontology of ``flesh'' and as the guiding theme for the philosophical enterprise.

This paper examines Maurice Merleau-Ponty’s later philosophy of time in light of his critique and reconceptualization of Edmund Husserl’s early time-analyses. Drawing on The Visible and the Invisible and lecture courses, I elaborate Merleau-Ponty’s re-reading of Husserl’s time-analyses through the lens of Rudolf Bernet’s “Einleitung” to this work. My question is twofold: what becomes of the central Husserlian concepts of present and retention in Merleau-Ponty’s later work, and how do Husserl’s elisions, especially of the problem of forgetting, become generative moments for Merleau-Ponty’s thought on time? The answer passes through the logic of institution as the “retrograde movement of the true” (Henri Bergson) and through unconsciousness as disarticulation of the perceptual field, as Merleau-Ponty attempts to detach Husserlian concepts from the philosophy of consciousness and rehabilitate them within an ontology of time.

This book contains the unfinished manuscript and working notes of the book Merleau-Ponty was writing when he died.

In the book's preface, Low writes: <p" am fully aware that every exposition is an interpretation, and i believe that merleau-ponty was surely aware of this as ...