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- David Morris (2008). Body. In Rosalyn Diprose & Jack Reynolds (eds.), Merleau-ponty: Key Concepts. Acumen Publishing.This chapter studies the theme of the body in Merleau-Ponty by first showing how it is anticipated in The Structure of Behaviour and is central to the Phenomenology of Perception. In addition to illuminating Merleau-Ponty's concept of the body, the aim is to show how the body is, for Merleau-Ponty, a key methodological term, since it marks philosophy's inherent openness to something prephilosophical, to which philosophy must be responsible. The chapter shows how this openness and the body's expressive role in the earlier philosophy anticipates key issues in the later The Visible and the Invisible.
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“Merleau-Ponty’s Corpus” attempts to answer the following question: How is it possible for us today to develop a viable political theory and practice without Modernist epistemological foundations? The answer to this question is sought in the body of Merleau-Ponty’s work, in the balance of a philosophy that comes between Modernism and Postmodernism, in a body of work that must be regarded as continuous and not as fragmented into distinct periods that focus first on perception, then on language, and finally on politics.
Contemporary thought, whether it be in psychology, biology, immunology, philosophy of perception or philosophy of mind, is confronted with the breakdown of barriers between organism and environment, self and other, subject and object, perceiver and perceived. In this paper I show how Merleau-Ponty can help us think about this problem, by attending to a methodological theme in the background of his dialectical conception of embodiment. In La structure du comportement, Merleau-Ponty conceives life as extension folding back upon itself so as to reveal Hegel’s ‘hidden mind of nature.’ In the Phénoménologie de la perception, radical reflection elucidates the body schema as an essence that reveals itself within embodied existence, qua shaping the natural perceptual dialogue in which the perceiver and the perceived permeate and separate from one another. In these two conceptions of embodiment, we progressively see how the dialectical principle of embodiment must reveal and conceive itself within embodiment itself. Science, on the other hand, follows the phenomena of the body to a certain point, but refuses to allow that embodiment is self-conceptual. I illustrate this using the example of dynamic systems theory, an inheritor of the tradition of J.J. Gibson’s ecological psychology. In this way, I show how Merleau-Ponty’s conception of the dialectic of embodiment as self-conceptual is important to problems in contemporary thought.
Some poststructuralist feminist theorists hold that the body is merely the product of cultural determinants and that gender is a free-floating artifice. I discuss how this "denaturalization" of gender and the body entrenches us yet deeper in the nature/culture dichotomy. The body, I maintain, needs to be "renaturalized" so that its earthy significance is recognized. Through a feminist reappropriation of Merleau-Ponty's phenomenology of the body, I develop a noncausal linkage between gender and the body. I present the body as an indeterminate constancy that is culturally and historically contextualized, on the one hand, yet part of our embodied givenness on the other. Interspersed throughout the paper are passages that describe my own bodily condition as I wrote the paper.
Drawing on the philosophies of Merleau-Ponty and Bergon, as well as contemporary psychology to develop a renewed account of the moving, perceiving body, the ...
: There is an inherent ambiguity in the notions of inner and outer in Merleau-Ponty's philosophy even as his ideas attempt to reject the duality of transcendence and immanence. In particular, his philosophy of the body is inexplicably silent on the phenomenological experiences of the inner body. In contrast, the discourse and practice of yoga allow for a fresh phenomenological understanding of the inner body. Thus, it seems relevant to consider the wider implications of the practice of yoga to Merleau-Ponty's thematization of the body and the world. The consequences of such a reflection are manifold and suggest that the "inside" can be understood as the phenomenological experience of dimensionality; the yogic practices of body postures and breathing techniques allow or a "perception" of the inner body, which then leads us to understand this perception in terms of the reversibility of consuming and consumed.
The primary concem of this essay is the similarity and difference between Merleau-Ponty’s early (Phenomenology of Perception) and late (The Visible and the lnvisible) philosophy of language. While some argue that Merleau-Ponty’s late work breaks with the earlier text and foreshadows poststructuralist and deconstructionist philosophy of language, I argue (with others) that there is no significant break in Merleau-Ponty’s thought. The similarities discovered between the early and late philosophy of language are 1.) that the body opens onto a world that is shared by all, 2.) that human gestures (of an individual and between individuals) interpenetrate and aim at the same world, and 3.) that the visual field that is already structured by the body/world interaction provides the basis for more abstract linguistic expression. The most fundamental difference discovered between these texts is that Merleau-Ponty abandons his earlier concept of the tacit cogito for the reflexivity of the body. Merleau-Ponty’s attempt to relate this reflexivity to language will also be discussed.Since there is such confusion and debate about the continuity of Merleau-Ponty’s thought, especially with respect to his philosophy of language, I have cast the essay in the form of a comprehensive exposition. The detailed textual exposition serves two purposes. First, it provides a comprehensive essay length introduction to Merleau-Ponty’s philosophy of language, and secondly, it reveals Merleau-Ponty’s thoughts in his own words, thus reducing the possibility of misinterpretation.
We argue that no sharp boundary can be drawn between the ``authentic'' human body and its instruments. In contrast to some other theorists of the continental canon--notably Heidegger and the Frankfurt school--Sartre and Merleau-Ponty can be read as asserting that the body (transitively) ``lives'' its instruments, weaving with them an intricate web of habitual actions and experiences. For Merleau-Ponty especially, the human body and its instruments are capable of complementing, supplementing, and melting into one another.
Merleau-Ponty developed a phenomenology of the body that promoted a non-dualistic account of human existence. In this paper I intend to develop Merleau-Ponty's analysis further by questioning his account of the body on the issues of body perception, and the body's relation to its environment. To clarify these issues I draw from both the phenomenological tradition and recent psychological investigations.
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