Musical listening and the fine art of engagement

British Journal of Aesthetics 47 (4):401-415 (2007)
When we listen to music, what do we listen to and for? How do we listen? How well do we listen and how do we listen well? This paper suggests that ‘modes of engagement’ are the active, operational means by which listeners experience music and that listening experiences more often than not involve multiple interacting modes rather than a fixed mode throughout. Modes of engagement may be voluntarily employed or involuntarily adopted; they may be technical or descriptive; they may involve explicitly musical details and relationships, or they may seem more peripheral to the music. In the end, though, successive, simultaneous, and interacting modes of engagement are said to define unique and meaningful trajectories through music as heard.
Keywords No keywords specified (fix it)
Categories (categorize this paper)
DOI 10.1093/aesthj/aym023
 Save to my reading list
Follow the author(s)
My bibliography
Export citation
Find it on Scholar
Edit this record
Mark as duplicate
Revision history Request removal from index
Download options
PhilPapers Archive

Upload a copy of this paper     Check publisher's policy on self-archival     Papers currently archived: 15,879
External links
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
Through your library
References found in this work BETA

No references found.

Add more references

Citations of this work BETA

No citations found.

Add more citations

Similar books and articles

Monthly downloads

Added to index


Total downloads

11 ( #212,976 of 1,725,176 )

Recent downloads (6 months)

1 ( #349,103 of 1,725,176 )

How can I increase my downloads?

My notes
Sign in to use this feature

Start a new thread
There  are no threads in this forum
Nothing in this forum yet.