David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
British Journal of Aesthetics 47 (4):401-415 (2007)
When we listen to music, what do we listen to and for? How do we listen? How well do we listen and how do we listen well? This paper suggests that ‘modes of engagement’ are the active, operational means by which listeners experience music and that listening experiences more often than not involve multiple interacting modes rather than a fixed mode throughout. Modes of engagement may be voluntarily employed or involuntarily adopted; they may be technical or descriptive; they may involve explicitly musical details and relationships, or they may seem more peripheral to the music. In the end, though, successive, simultaneous, and interacting modes of engagement are said to define unique and meaningful trajectories through music as heard.
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Adam M. Croom (2012). Music, Neuroscience, and the Psychology of Wellbeing: A Précis. Frontiers in Theoretical and Philosophical Psychology 2 (393):393.
Darrell P. Rowbottom & Otávio Bueno (2011). How to Change It: Modes of Engagement, Rationality, and Stance Voluntarism. Synthese 178 (1):7-17.
W. A. Mathieu (2010). Bridge of Waves: What Music is and How Listening to It Changes the World. Shambhala.
Philip Alperson (2009). Facing the Music: Voices From the Margins. Topoi 28 (2):91-96.
Peter Kivy (1993). The Fine Art of Repetition: Essays in the Philosophy of Music. Cambridge University Press.
Joel Krueger (forthcoming). Enacting Musical Content. In Riccardo Manzotti (ed.), Situated Aesthetics: Art Beyond the Skin. Imprint Academic
Peter Szendy (2008). Listen: A History of Our Ears. Fordham University Press.
Ruth Herbert (2011). Everyday Music Listening: Absorption, Dissociation and Trancing. Ashgate Pub. Co..
Joel Krueger (2009). Enacting Musical Experience. Journal of Consciousness Studies 16 (2-3):98-123.
Added to index2009-01-28
Total downloads11 ( #201,792 of 1,699,588 )
Recent downloads (6 months)1 ( #362,609 of 1,699,588 )
How can I increase my downloads?