David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
Continental Philosophy Review 35 (3):325-345 (2002)
In this paper I examine the meaning of Deleuze's transcendental empiricism by means of the kind of experience that his project opens up for us – an experience that I want to call transcendental. Primarily on the basis of his works on cinema, famously dedicated to freely investigating Bergson's thought, I argue that Deleuze's notion of the time-image, together with his search for its real and necessary conditions, consists in the liberation of experience from its Kantian limitative conditioning. I then examine both the new kind of subjectivity (the fissured ego) that emerges from this enlarged experience and the new conception of temporality (time out of joint) that subtends it. Finally, I try to bring out the concrete relations between (transcendental) experience, thought and the brain that Deleuze brings to light in his analysis of great cinema's reinvention of the relationship between time and movement.
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
John R. Sachs (1992). Transcendental Method in Theology and the Normativity of Human Experience. Philosophy and Theology 7 (2):213-225.
Marie-Claire Ropars-Wuilleumier (2009). Image or Time? The Thought of the Outside in The Time Image (Deleuze and Blanchot). In David Norman Rodowick (ed.), Afterimages of Gilles Deleuze's Film Philosophy. University of Minnesota Press.
Melinda Szaloky (2009). Mutual Images: Reflections of Kant in Deleuze's Transcendental Cinema of Time. In David Norman Rodowick (ed.), Afterimages of Gilles Deleuze's Film Philosophy. University of Minnesota Press.
Daniel W. Smith (2009). Deleuze's Concept of the Virtual and the Critique of the Possible. Journal of Philosophy: A Cross-Disciplinary Inquiry 4 (9):34-43.
Levi R. Bryant (2008). Difference and Givenness: Deleuze's Transcendental Empiricism and the Ontology of Immanence. Northwestern University Press.
Jack Reynolds (2007). Wounds and Scars: Deleuze on the Time (and the Ethics) of the Event. Deleuze Studies 2 (1):15.
David Martin-Jones (2008). Towards Another '–Image': Deleuze, Narrative Time and Popular Indian Cinema. Deleuze Studies 2 (1):25-48.
Stephen Crocker (2001). Into the Interval: On Deleuze's Reversal of Time and Movement. Continental Philosophy Review 34 (1):45-67.
Added to index2009-01-28
Total downloads38 ( #50,240 of 1,168,037 )
Recent downloads (6 months)2 ( #85,406 of 1,168,037 )
How can I increase my downloads?