David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
Giorgio Manganelli (1922-1990), one of Italy's most radical and original writers, went further than most in exploring the creative possibilities of hybrid genres and open forms. Ostentation, theatricality, and a love of drapery and verbal excess are defining features of his body of work, which ranges from prose fiction, literary criticism, and drama to travel writing, treatises, commentaries, and imaginary interviews. This study examines the wealth of Manganelli's imagination - his grotesque animals, speaking corpses,and melancholy spectres - and argues that his spectacular eloquence was shaped by an exceptional awareness of literary and philosophical models. Following Manganelli's lead, the author addresses issues such as the boundaries of meaningful language, the relationship between literary and visual texts, fantasy and realism, and the power of literature to express the apprehensions and intimations of human consciousness
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library||
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Gerald Keaney (2011). A New Avant-Garde? Rethinking Marxism 23 (4):556-564.
Andrew E. Benjamin (1991). Art, Mimesis, and the Avant-Garde: Aspects of a Philosophy of Difference. Routledge.
Antti Salminen (2010). From Avant-Garde to Para-Garde : "The Truth About Marika". In Renée M. Silverman (ed.), Popular Avant-Garde. Rodopi.
Craig Saper (2010). A Quick Read(Ies) : Speed and Formula in Bob Brown's Pulp Fiction and Avant-Garde Machines. In Renée M. Silverman (ed.), Popular Avant-Garde. Rodopi.
Sarah Wood (2012). Some Thing, Some One, Some Ghost (About the Fires of Writing). Derrida Today 5 (2):165-179.
George P. Klubertanz (1971). "La Phénoménologie au Départ: Husserl, Heidegger, Gaboriau," by France Rollin. Modern Schoolman 48 (2):205-205.
Ted Gordon (2012). John Zorn: Autonomy and the Avant-Garde. Avant 3 (T):329-343.
Daniel Alan Herwitz (1993). Making Theory/Constructing Art: On the Authority of the Avant-Garde. University of Chicago Press.
Alexander Starkweather Fobes (2010). Huidobro, Cagliostro : Demiurge as Mage Conjuring a Metaphor for the Avant-Garde. In Renée M. Silverman (ed.), Popular Avant-Garde. Rodopi.
Giovanna Montenegro (2010). Venezuelan Avant-Garde : María Calcaño's Erotic Poetry. In Renée M. Silverman (ed.), Popular Avant-Garde. Rodopi.
Barnaby Dicker (2010). Franciszka Themerson's "Ubu Comic Strip" : Autography, Caricature, and the Avant Garde. In Renée M. Silverman (ed.), Popular Avant-Garde. Rodopi.
Philippe Sers (2002). Point de vue critique: Avant-garde radicale et avant-garde contemporaine en art. Cités 11 (11):107-115.
Krzysztof Ziarek (2004). The Force of Art. Stanford University Press.
Sorry, there are not enough data points to plot this chart.
Added to index2011-06-19
Total downloads1 ( #507,346 of 1,679,289 )
Recent downloads (6 months)0
How can I increase my downloads?