World Cinema and the Ethics of Realism
Continuum International Pub. Group Inc (2011)
| Abstract | Introduction -- Physical cinema. The end of the other -- The immaterial difference : Werner Herzog revisited -- The reality of the medium. Conceptual realism in Land in trance and I am Cuba -- The work of art in progress : an analysis of delicate crime -- The ethics of desire. The realm of the senses, the ethical imperative and the politics of pleasure -- Hara and Kobayashi's "private documentaries" -- The self-performing auteur : ethics in João César Monteiro. | |||||||||
| Keywords | Realism in motion pictures Motion pictures Moral and ethical aspects | |||||||||
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| Call number | PN1995.9.R3.N35 2011 | |||||||||
| ISBN(s) | 9781441137838 | |||||||||
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Veijo Hietala (1990). Situating the Subject in Film Theory: Meaning and Spectatorship in Cinema. Distributor, Akateeminen Kirjakauppa.
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Yvette Bíró (1982). Profane Mythology: The Savage Mind of the Cinema. Indiana University Press.
Dean A. Kowalski (2010/2012). Moral Theory at the Movies: An Introduction to Ethics. Rowman & Littlefield Publishers.
Sam B. Girgus (2010). Levinas and the Cinema of Redemption: Time, Ethics, and the Feminine / Sam B. Girgus. Columbia University Press.
Richard Taylor & Boris Mikhaĭlovich Ėĭkhenbaum (eds.) (1982). The Poetics of Cinema. Rpt Publications in Association with Dept. Of Literature, University of Essex.
Christopher Williams (ed.) (1980). Realism and the Cinema: A Reader. Routledge & Kegan Paul in Association with the British Film Institute.
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