David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
British Journal of Aesthetics 51 (4):399-414 (2011)
This essay offers an account of the relationship between screenplay and film, and it does so by comparing this relationship to the relationships that hold between other sets of instructions and artworks: score and musical work, theatrical script and theatrical work, architectural plan and architectural work. I argue that musical scores and theatrical scripts are work-determinative documents—manuscripts whose existence entails the existence of musical works and theatrical works, respectively, and which determine the facts about what those works are like. On the contrary, I argue that architectural plans and screenplays are not work-determinative because they alone do not entail the existence of any architectural work or film. Nevertheless, I conclude that this difference has no bearing upon art status: theatrical scripts are almost always artworks in their own right, musical scores almost never are, and architectural plans are in certain cases. This conclusion suggests that although the relationship between theatrical script and theatrical work is quite different from that between screenplay and film, there is no reason to think that screenplays cannot be literary artworks in their own right
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
C. Tillman (2011). Musical Materialism. British Journal of Aesthetics 51 (1):13-29.
James R. Hamilton (2009). Pretense and Display Theories of Theatrical Performance. Organon F: Medzinárodný Časopis Pre Analytickú Filozofiu (4):632-654.
Ted Nannicelli (2011). Why Can't Screenplays Be Artworks? Journal of Aesthetics and Art Criticism 69 (4):405-414.
Andrea Sauchelli (2012). The Structure and Content of Architectural Experience: Scruton on Architecture as Art. Estetika 49 (1):26-44.
Ben Caplan & Carl Matheson (2004). Can a Musical Work Be Created? British Journal of Aesthetics 44 (2):113-134.
John Dilworth (2005). The Double Content of Art. Prometheus Books.
Paul Thom (2003). The Interpretation of Music in Performance. British Journal of Aesthetics 43 (2):126-137.
Daniel Koczy (2012). A Crystal-Theatre: Automation and Crystalline Description in the Theatre of Samuel Beckett. Deleuze Studies 6 (4):614-627.
Alison Ross (2008). Derrida's Writing-Theatre: From the Theatrical Allegory to Political Commitment. Derrida Today 5 (1):76-94.
Stephen Davies (2007). Musical Ontology. Sounds, Instruments and Works of Music / Julian Dodd ; Doing Justice to Musical Works / Michael Morris ; Versions of Musical Works and Literary Translations. In Kathleen Stock (ed.), Philosophers on Music: Experience, Meaning, and Work. Oxford University Press
James R. Hamilton (2007). The Art of Theater. Wiley-Blackwell.
Nicolas de Warren (2007). Off the Beaten Path: The Artworks of Andrew Goldsworthy. Environmental Philosophy 4 (1-2):29-48.
Added to index2011-10-08
Total downloads19 ( #135,870 of 1,699,591 )
Recent downloads (6 months)3 ( #206,271 of 1,699,591 )
How can I increase my downloads?