David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
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Stanford University Press (1996)
This collection, by one of the most challenging of contemporary thinkers, asks the question: why are there several arts and not just one? This question focuses on the point of maximal tension between the philosophical tradition and contemporary thinking about the arts: the relation between the plurality of the human senses and sense or meaning in general. Throughout the five essays, Nancy's argument hinges on the culminating formulation of this relation in Hegel's Aesthetics and The Phenomenology of Spirit - art as the sensible presentation of the Idea. He considers the emergence of art as presentation rather than representation and looks at the contemporary situation of art, and the question of whether art today is still art. Other essays provide intricate and compelling readings of Caravaggio's Death of the Virgin and an analysis of a traced hand in the grotto of Lascaux as the essential mimetic gesture.
|Keywords||Aesthetics Arts Philosophy|
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|Call number||BH39.N2713 1996|
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Citations of this work BETA
Ashok Collins (2015). Towards a Saturated Faith: Jean-Luc Marion and Jean-Luc Nancy on the Possibility of Belief After Deconstruction. Sophia 54 (3):321-341.
Sacha Loeve (2011). Sensible Atoms: A Techno-Aesthetic Approach to Representation. [REVIEW] NanoEthics 5 (2):203-222.
Francine Wynn (2009). Reflecting on the Ongoing Aftermath of Heart Transplantation: Jean-Luc Nancy's L'intrus. Nursing Inquiry 16 (1):3-9.
Nigel Tubbs (2013). The Value of the Arts. Journal of Philosophy of Education 47 (3):441-456.
Stephen Barker (2009). Threshold (Pro-)Positions: Touch, Techné, Technics. Derrida Today 2 (1):44-65.
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Alison Ross (2008). 'Art' in Nancy's 'First Philosophy': The Artwork and the Praxis of Sense Making. Research in Phenomenology 38 (1):18-40.
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