The Nikolais/Louis Dance Technique: A Philosophy and Method of Modern Dance
David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
Learn more about PhilPapers
The Nikolais/Louis Dance Technique provides the definite resource for understanding and practicing the influential dance technique developed by two pioneers of modern dance, Alwin Nikolais and Murray Louis. The Nikolais/Louis technique is presented in a week-to-week classroom manual, providing an indispensable tool for teachers and students of this widely studied movement practice. Theoretical background for further reading is set off from the manual for those interested in deeper study. Their philosophy and methodology span a broad readership and offer an important addition to dance literature and American cultural history.
|Keywords||Modern dance Modern dance Philosophy|
|Categories||categorize this paper)|
|Buy the book||$1184.53 used $2799.99 new Amazon page|
|Call number||GV1783.N54 2005|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Kimerer L. LaMothe (2004). Between Dancing and Writing: The Practice of Religious Studies. Fordham University Press.
Eluned Summers-Bremner (2000). Reading Irigaray, Dancing. Hypatia 15 (1):90-124.
Barbara Montero (2012). Practice Makes Perfect: The Effect of Dance Training on the Aesthetic Judge. [REVIEW] Phenomenology and the Cognitive Sciences 11 (1):59-68.
Emily Cross & Luca Ticini (2012). Neuroaesthetics and Beyond: New Horizons in Applying the Science of the Brain to the Art of Dance. [REVIEW] Phenomenology and the Cognitive Sciences 11 (1):5-16.
Jonathan Owen Clark (2012). Dance and Subtraction: Notes on Alain Badiou's Inaesthetics. Dance Research Journal 42 (03):50-64.
N. S. Thompson & Jaan Valsiner (2002). Doesn't a Dance Require Dancers? Behavioral and Brain Sciences 25 (5):641-642.
Valentina Litvinoff (1974). Lessons From the Dancing Ground to the Studio: Implications of Pueblo Indian Dance for Modern Dance. Journal of Aesthetics and Art Criticism 32 (3):397-407.
Betty Block & Judith Lee Kissell (2001). The Dance: Essence of Embodiment. Theoretical Medicine and Bioethics 22 (1):5-15.
Sorry, there are not enough data points to plot this chart.
Added to index2009-01-28
Recent downloads (6 months)0
How can I increase my downloads?