German Aesthetic and Literary Criticism
David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
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Hugh Barr Nisbet (ed.)
Cambridge University Press (1985)
This anthology, part of a three-volume series of which the other two volumes are already available, charts the emergence of aesthetics in Germany in the latter half of the eighteenth century as a distinct discipline emancipated from French domination. The unifying theme of the volume is classicism: Winckelmann's neo-classicism was based on a profound knowledge of the visual art of Greece and Rome; Lessing's Laocoon extended Winckelmann's principles to literature; Herder and Schiller, by contrast, went on to define and defend modern post-classical works of art as distinct but equally justified cultural achievements, while Hamann's attack on rational poetics together with the young Herder's pre-Romanticism anticipated central doctrines of the Romantic movement proper; the final essay is Goethe's study of Winckelmann.
|Keywords||Aesthetics, German Aesthetics, German Criticism History Criticism History|
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|Call number||BH221.G3.G47 1985|
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Robert A. Davis (2005). Music Education and Cultural Identity. Educational Philosophy and Theory 37 (1):47–63.
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