David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
Journal of Aesthetic Education 45 (1):74-88 (2011)
The manner in which a person views the universe originates from her/his culture. If someone were asked of the predominant element found in every culture that has for centuries given people their perspective of the universe, certainly, the answer would be, Religion! The responsibility of generating and preserving the elements of one’s perspective of the universe has rested with religious institutions such as Methodist, Protestant, or Roman Catholic churches or spiritual leaders such as the Buddha. Whether the element is developed through the teaching of the Holy Bible, Catechism, Vedas, or Koran, people in the universe, including the Garífuna-speaking people of Central America, have always felt the need to ..
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Joshua Fineberg (2006). Classical Music Why Bother?: Hearing the World of Contemporary Culture Through a Composer's Ears. Routledge.
Calvin M. Johansson (1998). Music & Ministry: A Biblical Counterpoint. Hendrickson Publishers.
Patricia Pisters (2003). The Matrix of Visual Culture: Working with Deleuze in Film Theory. Stanford University Press.
Guiren Yuan (2006). On Value and Culture. Frontiers of Philosophy in China 1 (2):237-244.
Margaret M. Press & Neil Brown (eds.) (1984). Faith and Culture: A Pastoral Perspective. Catholic Institute of Sydney.
Stephanie M. Stalinski & E. Glenn Schellenberg (2012). Music Cognition: A Developmental Perspective. Topics in Cognitive Science 4 (4):485-497.
Martin Clayton, Trevor Herbert & Richard Middleton (eds.) (2003). The Cultural Study of Music: A Critical Introduction. Routledge.
Stephen Davies & Peter Goldie, Cross-Cultural Musical Expressiveness: Theory and the Empirical Programme.
Kevin Holm-Hudson (2006). Migration and Mediation of Music. People's Music in the People's Republic of China : A Semiotic Reading of Socialist Musical Culture From the Mid to Late 1950s / Hon-Lun Yang ; the Song That Doesn't Want to Die : The Nomadic Tango / Heloísa de Araújo Duarte Valente ; Globalizing Bach : The Promotion of Classical Music Between Idealism and Commerce / Cornelia Szabó-Knotik ; Tell Mussorgsky the News : Emerson, Lake and Palmer's Pictures at an Exhibition as Open Work. In Erkki Pekkilä, David Neumeyer & Richard Littlefield (eds.), Music, Meaning and Media. University of Helsinki.
Sabbas J. Kilian (1969). Authority in the Church. Thought 44 (1):69-82.
Olivette R. Burton (2007). Why Bioethics Cannot Figure Out What to Do with Race. American Journal of Bioethics 7 (2):6 – 12.
Julian Johnson (2002). Who Needs Classical Music?: Cultural Choice and Musical Value. Oxford University Press.
Paul Russell Shockley, How to Bridge the Culture Gap: How John Dewey's Aesthetics May Benefit the Local Church.
Christopher Norris (ed.) (1989). Music and the Politics of Culture. St. Martin's Press.
Albert G. Mosley (2007). The Moral Significance of the Music of the Black Atlantic. Philosophy East and West 57 (3):345-356.
Sorry, there are not enough data points to plot this chart.
Added to index2011-02-05
Total downloads1 ( #433,596 of 1,098,601 )
Recent downloads (6 months)1 ( #285,544 of 1,098,601 )
How can I increase my downloads?