Pop music, racial imagination, and the sounds of cheese : Notes on loser's lounge
In Christopher Washburne & Maiken Derno (eds.), Bad Music: The Music We Love to Hate. Routledge (2004)
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Andy Hamilton (2007). Music and the Aural Arts. British Journal of Aesthetics 47 (1):46-63.
Helmi Järviluoma (ed.) (1994). Soundscapes: Essays on Vroom and Moo. Institute of Rhythm Music.
Julian Dodd (2007). Sounds, Instruments and Works of Music. In Kathleen Stock (ed.), Philosophers on Music: Experience, Meaning, and Work. Oxford University Press.
Malcolm Budd (1983). Motion and Emotion in Music: How Music Sounds. British Journal of Aesthetics 23 (3):209-221.
Matthew Nudds (2001). Experiencing the Production of Sounds. European Journal of Philosophy 9 (2):210-229.
Robin M. James (2007). Deconstruction, Fetishism, and the Racial Contract: On the Politics of "Faking It" in Music. CR 7 (1):45-80.
Laird Addis (1999). Of Mind and Music. Cornell University Press.
Laura Ahonen & Home Studio Aesthetics : Tracking Cultural Processes of Popular Music Production (2006). Music and Technology. Virtuality and Metadesign : Sound Art in the Age of Connectivity / Paulo C. Chagas ; "When New Media Was the Big Idea" : Internet and the Rethinking of Pop-Music Languages / Gianni Sibilla ; Mediated Stardom, Constructed Images : The Value and Functioning of Authorship in Popular Music. In Erkki Pekkilä, David Neumeyer & Richard Littlefield (eds.), Music, Meaning and Media. University of Helsinki.
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