Abstract

This article mobilizes the troublesome and unrigorous concept of love to open an oblique entry into the equally troublesome concepts of object-oriented ontology and speculative realism. Issues of object fetishism, species companionship, bestiality, and assemblages of desire are traced in the theories of Graham Harman, Donna Haraway, Jane Bennett, Mario Perniola, and other posthumanist thinkers. Both romantic and Christian love are identified in the discursive practices of speculative realists as a way of outlining recurrent tropes in posthumanist thinking. From here, a vector is traced back to the romantic literary tradition, thus linking the posthumanist tendencies of William Blake, for example, to the romanticism of Jane Bennett and Ian Bogost. Pulling against the chains of language, these thinkers challenge the finitude of human being by developing discursive strategies that focus attention sideways, away from human subjectivity and toward the world of organic and inorganic things. The essay concludes with a description of “applied media theory,” a method developed by the Critical Media Lab to generate objects-to-think-with for the sake of posthumanist speculation.