Online research in philosophy

The philosophical relationship that obtains between the work of Merleau-Ponty and Derrida has continued to intrigue and preoccupy many of us despite, or perhaps even partly because of, the fact that Derrida did not accord the work of Merleau-Ponty much attention during his remarkably prolific career. Two relatively recent books of Derrida’s have addressed this gap: Memoirs of the Blind and, more recently, On Touching. However, although Derrida proposes an “entire re-reading” of the later Merleau-Ponty in Memoirs of the Blind, with the clear implication that there are hitherto unaccessed and invaluable resources to be mined in this body of work, I will suggest that the actual reading of Merleau-Ponty propounded in On Touching falls well short of this ambition. While this chapter will raise some critical questions about the interpretation that Derrida offers of Merleau-Ponty in ‘Exemplary Stories of the Flesh: Tangent 3’, including the implication that his work on the senses and intersubjectivity remains mired in theological prejudices, it will also be concerned to examine the transcendental philosophy of time (or philosophy of the contretemps that breaks open time but nonetheless pertains to it) that undergirds and motivates Derrida’s engagement with the philosophies of touch. In this latter respect, I will argue that Derrida’s philosophy is itself ‘touched’ by time, in the peculiar sense of ‘touched’ that connotes affected and wounded. On my reading, his work instantiates an ethics of non-presentist time, an ethics of that time which is the transcendental condition of the present and any event of touch. I ask whether this prevarication on the issue of the transcendental and the ethical is reason to look for a different understanding of both time and the transcendental to Derrida’s, and I end this chapter by once more proposing a dialectic between the disjunctive and conjunctive aspects of time that does not accord any kind of a priori privilege to the one over the other.

Luce Irigaray's Elemental Passions could be read as a response to Merleau-Ponty's article "The Intertwining-The Chiasm" in The Visible and the Invisible. Like Merleau-Ponty, Irigaray describes corporeal intertwining or vision and touch. Counteracting the narcissistic strain in Merleau-Ponty's chiasm, she assumes that sexual difference must precede the intertwining. The subject is marked by the alterity or the "more than one" and encoded as a historically contingent gendered conflict.

: Luce Irigaray's Elemental Passions could be read as a response to Merleau-Ponty's article "The Intertwining--The Chiasm" in The Visible and the Invisible. Like Merleau-Ponty, Irigaray describes corporeal intertwining or vision and touch. Counteracting the narcissistic strain in Merleau-Ponty's chiasm, she assumes that sexual difference must precede the intertwining. The subject is marked by the alterity or the "more than one" and encoded as a historically contingent gendered conflict.

In Telling Flesh: the Substance 0f the C0rporeul, Vicki Kirby suggests, among other things, that it is not in the interests of feminism to propound what she describes as an ‘inessentialist’ position in regards to embodiment. While she objects to undifferentiating biological givens that might, for example, attempt to construe women as confined to a nurturing role, she also does not want to simplistically insist that embodiment has nothing to do with subjectivity. To pose the problem in terms more closely aligned with her own, Kirby is wary of the tendency to simply reverse binary oppositions, to swap nature for culture, reality for representation, and originary cause for interpretive effect. According to her, themes like ‘textuality’, and linguistic ideality have all but replaced the notion of ‘reality’. As arguably the pre-eminent ‘continental’ philosopher of our generation, the work of Derrida is invariably associated with this reversal of binary oppositions that seem to prohibit recourse to questions concerning embodiment. Several critics have even suggested that deconstruction is nothing but semiological reductionism in disguise. However, Kirby’s thesis, via an extended meditation upon Derrida’s claim that "there is nothing outside of the text," constitutes an important attempt to redeem him from such criticism. Rather than eschewing any and every reference to the body, she wants to insist that deconstruction cannot be contained within such a framework, and that it makes sense, within the logic of Of Grummutology (and she also pays cursory attention to Derrida’s ""Eating Well," or the Calculation of the Subject"), to conceive of embodiment in deconstructive terms. Examining the coherence of this claim will be the main focus of this paper, though in order to facilitate this task, this paper will also compare the notion of embodiment that Kirby espouses, to a curiously similar conception of the body that Merleau-Ponty theorizes in his unfinished text The Wsible und the Invisible..

This book discusses the work of the existential phenomenologists - Heidegger, Sartre, Merleau-Ponty and de Beauvoir - and the final chapter looks at the legacy of existentialism upon the thought of Derrida and other post-structuralist thinkers.

This essay examines some of Derrida’s most famous ‘possible-impossible’ aporias, including his discussions of giving, hospitality, forgiveness, and mourning. He argues that the condition of the possibility of such themes is also, and at once, the condition of their impossibility. In order to reveal the shared logic upon which these aporias rely, and also to raise some questions about their persuasive efficacy, it will be argued that of the two polarities evoked by each of his possible-impossible aporias, the ‘impossible’ term of the opposition invariably posits a separation between “two radical singularities”, or in somewhat more controversial terms, between a self and an other. While Derrida emphasises this ‘impossible’ aspect of giving, hospitality, forgiveness, etc., Merleau-Ponty’s abiding emphasis upon the chiasmic intertwining of self and other provides the resources to challenge this emphasis, and even to reverse it. While Merleau-Ponty rarely directly addresses the kind of aporias that concern Derrida, his chiasmic account of embodiment, and his emphasis upon the body-subject’s propensity to seek an equilibrium with its environment, better accounts for the ‘possible’ side of the aporias that Derrida describes. In the process, it will be argued that Merleau-Ponty’s later philosophy also allows for a more politically efficacious idea of responsibility towards the other than the position to which Derrida is tacitly committed.

While there have been many essays devoted to comparing the work of Maurice Merleau-Ponty with that of Jacques Derrida, there has been no sustained book-length treatment of these two French philosophers. Additionally, many of the essays presuppose an oppositional relationship between them, and between phenomenology and deconstruction more generally.

Jack Reynolds systematically explores their relationship by analyzing each philosopher in terms of two important and related issues—embodiment and alterity. Focusing on areas with which they are not commonly associated (e.g., Derrida on the body and Merleau-Ponty on alterity) makes clear that their work cannot be adequately characterized in a strictly oppositional way. Merleau-Ponty and Derrida: Intertwining Embodiment and Alterity proposes the possibility of a Merleau-Ponty-inspired philosophy that does not so avowedly seek to extricate itself from phenomenology, but that also cannot easily be dismissed as simply another instantiation of the metaphysics of presence. Reynolds argues that there are salient ethico-political reasons for choosing an alternative that accords greater attention to our embodied situation.