Improvisation
Hastings Center Report 39 (6):6- (2009)
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Gary Peters (2009). The Philosophy of Improvisation. University of Chicago Press.
Naphtaly Shem-Tov (2011). Improvisational Teaching as Mode of Knowing. Journal of Aesthetic Education 45 (3):103-113.
Marc Garcelon (2006). Trajectories of Institutional Disintegration in Late-Soviet Russia and Contemporary Iraq. Sociological Theory 24 (3):255 - 283.
Frances S. Connelly (2012). The Grotesque in Western Art and Culture: The Image at Play. Cambridge University Press.
Witold Wachowski (2012). “Immunology of Music”? A Short Introduction to Cognitive Science of Musical Improvisation. Avant 3 (1).
Bruce Ellis Benson (2003). The Improvisation of Musical Dialogue: A Phenomenology of Music. Cambridge University Press.
Vincent Colapietro (forthcoming). Neglected Facets of Peirce's 'Speculative' Rhetoric. Educational Philosophy and Theory.
Bertinetto Alessandro (2012). Paganini Does Not Repeat. Musical Improvisation and the Type/Token Ontology. Teorema (3):105-126.
Cynthia R. Nielsen (2009). “What Has Coltrane to Do With Mozart: The Dynamism and Built-in Flexibility of Music”. Expositions 3:57-71.
Andrew Haas (2012). The Birth of Language Out of the Spirit of Improvisation. International Journal of Philosophical Studies 20 (3):331-347.
Tracey Nicholls (2012). An Ethics of Improvisation: Aesthetic Possibilities for a Political Future. Lexington Books.
Gilbert Ryle (1976). Improvisation. Mind 85 (337):69-83.
Elisa de la Roche (1992). Critical Thinking and Improvisation. Inquiry 10 (1):16-17.
Frederick Moten (forthcoming). Tragedy Elegy Improvisation. Semiotics:431-449.
D. A. Y. William (2010). The Ends of Improvisation. Journal of Aesthetics and Art Criticism 68 (3):291-296.
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