David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
Philosophy of Photography 1 (1):59-68 (2010)
This paper approaches the problem of the ontology of the photographic image ‘post-digitalization’ historically, via a conception of photography as the historical totality of photographic forms. It argues, first, that photography is not best understood as a particular art or medium, but rather in terms of the form of the image it produces; second, that the photographic image is the main social form of the digital image (the current historically dominant form of the image in general); and third, that there is no fundamental ontological distinction regarding indexicality between photographically generated digital images and those of chemically based photography. ‘The anxiety about the real’ produced by digital imagery has its origins elsewhere, in the ontological peculiarities of the social form of value in societies based on relations of exchange. Distinguishing between the ‘event of capture’ and the ‘event of visualization’, it is argued that it is in its potential for an infinite multiplication of visualizations that the distinctiveness of the digital image lies. In the digital image, the infinite possibilities for social exchange generated by the abstraction of value from use finds an equivalent visual form.
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
Tim Stephens (2010). What is Rhythm in Relation to Photography? Philosophy of Photography 1 (2):157-175.
John Cunningham, Andrew Fisher & Katrina Sluis (2010). Reviews. [REVIEW] Philosophy of Photography 1 (2):225-240.
Similar books and articles
Juhani Pallasmaa (2011). The Embodied Image: Imagination and Imagery in Architecture. John Wiley & Sons Inc..
John Lechte (2012/2011). Genealogy and Ontology of the Western Image and its Digital Future. Routledge.
Mikael Pettersson (2011). Depictive Traces: On the Phenomenology of Photography. Journal of Aesthetics and Art Criticism 69 (2):185-196.
Patricia Pisters (2011). Flashforward: The Future is Now. Deleuze Studies 5 (supplement):98-115.
Patricia Pisters (2011). Synaptic Signals: Time Travelling Through the Brain in the Neuro-Image. Deleuze Studies 5 (2):261-274.
Stephen David Ross (2009). For Giving. International Studies in Philosophy Monograph Series:469-504.
Aurel Teodor Codoban (2011). From the “Camera Obscura” to the Computer, or How Does the Image Become an Apparent Indexical Sign. Journal for Communication and Culture 1 (1):4-19.
Irving Singer (1977). Santayana and the Ontology of the Photographic Image. Journal of Aesthetics and Art Criticism 36 (1):39-43.
Daniel Rubinstein (2008). Life More Photographic; Mapping the Networked Image. photographies 1 (1):9-28.
Added to index2010-07-24
Total downloads62 ( #28,689 of 1,413,265 )
Recent downloads (6 months)2 ( #94,880 of 1,413,265 )
How can I increase my downloads?