David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
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Kantian Review 17 (1):75-107 (2012)
In this essay, I argue that a genius's creation consists of a special unity of free human activity and nature, whereby ‘nature’ signifies not just another aspect of, but rather something that transcends, creative subjectivity. This interpretation of a genius's creative process throws a new light on a special normative status of a genius's rule, i.e. its originality and exemplarity. With respect to the former, I demonstrate that because the organizing principle of the works of genius remains inscrutable to our limited human understanding, a work of genius appears to the observer's limited cognitive capacities as undetermined and, hence, as contingent and original. With respect to the latter, I show how a genius must evolve within the context of her own tradition and how this ‘humbleness’ of a genius still allows for a multiplicity of co-existent schools or genres with their own distinct standards of excellence. http://journals.cambridge.org/abstract_S1369415411000343
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References found in this work BETA
Patrick Kain (2004). Self-Legislation in Kant's Moral Philosophy. Archiv für Geschichte der Philosophie 86 (3):257-306.
Joseph Raz (2003). The Practice of Value. Oxford University Press.
John H. Zammito (1992). The Genesis of Kant's Critique of Judgment. University of Chicago Press.
Paul Guyer (2005). Values of Beauty: Historical Essays in Aesthetics. Cambridge University Press.
Dieter Henrich (1994). The Unity of Reason: Essays on Kant's Philosophy. Harvard University Press.
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