David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
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Deleuze Studies 3 (2):247-258 (2009)
This article attends to Deleuze and Guattari's idea of a ‘minor literature’ as well as to Deleuze's concepts of the figural, probe-heads and the diagram in relation to Bacon's paintings. The paper asks specifically what might be usefully taken from this Deleuze–Bacon encounter for the expanded field of contemporary art practice.
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References found in this work BETA
Gilles Deleuze & Felix Guattari (1991). What is Philosophy? Columbia University Press.
Gilles Deleuze (2005). Francis Bacon: The Logic of Sensation. Univ of Minnesota Press.
Gilles Deleuze (1995). Negotiations, 1972-1990. Monograph Collection (Matt - Pseudo).
Citations of this work BETA
Simone Bignall (2012). Dismantling the Face: Pluralism and the Politics of Recognition. Deleuze Studies 6 (3):389-410.
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Stephen Zepke (2009). Deleuze, Guattari, and Contemporary Art. In Eugene W. Holland, Daniel W. Smith & Charles J. Stivale (eds.), Gilles Deleuze: Image and Text. Continuum
Tom Conley (2011). Deleuze and the Filmic Diagram. Deleuze Studies 5 (2):163-176.
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