From Stuttering and Stammering to the Diagram: Deleuze, Bacon and Contemporary Art Practice
Deleuze Studies 3 (2):247-258 (2009)
| Abstract | This article attends to Deleuze and Guattari's idea of a ‘minor literature’ as well as to Deleuze's concepts of the figural, probe-heads and the diagram in relation to Bacon's paintings. The paper asks specifically what might be usefully taken from this Deleuze–Bacon encounter for the expanded field of contemporary art practice | |||||||||
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Vlad Ionescu (2011). Deleuze's Tensive Notion of Painting in the Light of Riegl, Wöölfflin and Worringer. Deleuze Studies 5 (1):52-62.
Stephen Zepke (2009). Deleuze, Guattari, and Contemporary Art. In Eugene W. Holland, Daniel W. Smith & Charles J. Stivale (eds.), Gilles Deleuze: Image and Text. Continuum.
Tom Conley (2011). Deleuze and the Filmic Diagram. Deleuze Studies 5 (2):163-176.
Simon O'Sullivan (2006). Art Encounters Deleuze and Guattari: Thought Beyond Representation. Palgrave Macmillan.
Tomas Geyskens (2008). Painting as Hysteria: Deleuze on Bacon. Deleuze Studies 2 (2):140-154.
Andrew Conio (2009). Deleuze, Bacon and the Challenge of the Contemporary. Deleuze Studies 3 (1):233-246.
Lorna Collins (2008). Sensations Spill a Deluge Over the Figure. Deleuze Studies 2 (1):49-73.
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